Luca Guadagnino (“Call Me By Your Name” (2017) and “I Am Love” (2009)) is rebooting Dario Argento’s cult classic of the same name, and from the many plot similarities, it can be described as a remake (despite what actors may say). There seem to be both similarities and differences in the presentation: the music hints at the original, but some visuals are innovative. My favourite element here will be Tilda Swinton as Madame Blanc, a clever cast. It will also be interesting to see her character’s antagonistic tension and relationship with the character of Dakota Johnson. My concern is that I hope the film will remain dark and provocative with nice scary jumps, and not become too ridiculous. I am also disappointed with the cast of Johnson. She seems to be good here, but my belief is that someone younger with more remarkable features should have been cast in the lead role. Since it is Luca Guadagnino, a stylish and thought-provoking presentation is guaranteed. The original material is also intriguing, so it promises to be a good film. Continue reading “Luca Guadagnino’s “Suspiria” and Steve McQueen’s “Widows” Trailers”
This has probably been the most dramatic and political Oscars in history, which will forever be cemented in the minds of everyone for its notorious Best Picture mix-up: La La Land was mistakenly announced as the Best Picture winner. What the producers of La La Land went through after the mistaken announcement no one should ever have gone through. It was a plain disrespect shown to the La La Land and Moonlight production crews. And, if the mistake was spotted immediately, as the organisers claim, why three La La Land producers, one after another, had all the time in the world to give their three humble and moving acceptance speeches? By allowing such an mix-up, the Academy (that should bear its responsibility alongside PwC) really debased itself. Irrespective, this year, the competition for the coveted Academy Awards was very high. Only in the Best Picture category we have had nine amazing films and each of them could be described as inspiring, moving and thought-provoking. However, I still consider Scorsese’s epic Silence and Amy Adams’s performance in Arrival the biggest snubs at this year’s Oscars. Here, I will comment on the winners in the following categories: Best Picture; Best Actress; Best Actor; Best Supporting Actress; Best Supporting Actor; Best Director; Best Cinematography; Best Animation; Best Foreign Language Film; Best Original Song and Best Original Score. Continue reading “The Academy Awards 2017”
Yesterday, on 12 February 2017, the British Academy of Film and Television Arts (BAFTA) presented its 70th British Academy Film Awards. Hosted in the Royal Albert Hall in London, the ceremony was attended by the Duke and Duchess of Cambridge and presented by a comedian and actor Stephen Fry (“V for Vendetta” (2005)). The ceremony was particularly impressive this year, with the great British humour all around, and a fierce high film competition, which, although could have been even more diverse, was, nevertheless, inclusive of so many great foreign productions. Here, I will comment on the Best Picture, Actor/Actress, Supporting Actor/Actress, Foreign-Language Film, Documentary and Animation Award winners.
The Help (2011)
Adapted from Kathryn Stockett’s best-selling novel of the same name, ‘The Help’ is a moving, heart-felt movie about a small number of black maids in rural Mississippi in 1960s who have decided that their voices should also be heard in the painful wake of the African-American civil rights movements. At times deeply sad, at times hilariously funny, this film will grab one’s attention almost immediately and will not let go until the very end. With a great script, masterfully and effectively communicating voices which should be heard in the political movement at that time, ‘The Help’ is a movie not to be missed.