Unpopular Opinion Tag (Films) II

Last year, in August, I posted a similar post – Unpopular Opinion Tag (Films), where I talked about three movies that people generally love, but I hated. Now, it is time to do a “reversal” post. Here, I will be talking about three movies that people or critics do not like much, but I actually thought there was merit in them or things to love. I am choosing to write about Premonition (2007), Sleeping with the Enemy (1991) and Joseph: King of Dreams (2000). Be warned, there may be some spoilers ahead.  

premonition-posterI. Premonition (2007)

IMDb score: 5.9; Rotten Tomatoes score: 8%. 

In 2007, Mennan Yapo shot this film starring Sandra Bullock, and, in my opinion, it does not deserve to be so unknown or all the negative reviews. The film is actually fascinating. It relies on a twisted Groundhog Day/”Deja Vu” (2006) concept to tell the story of Linda (Bullock), a wife and a mother, who finds her world turned upside down when she wakes up one day to learn that her husband is dead and another day – to find out that he is still alive. The truth is that her week days do not follow the natural timeline, but are randomly emerging, and Linda has to find out how her new reality works exactly to possibly save her husband from a deadly car collision. The film is clever (in a way it is a brain-teaser), and it is very interesting to follow Linda on her journey. The film makes you want to pay attention to small details to find out how they may change the next day. The film may lack some fundamental logic and, definitely, plausibility, especially towards the end, but it is so atmospheric, many of its other faults could also be forgiven. It is atmospheric in a way every scene is filled with the feeling that something macabre or threatening is lurking in the background (some unseen force), meddling with the natural clock, and music and the involvement of children make the picture even eerier and more effective. Couple this with the exploration of the issues of sanity and grief, and a few nice jumps, and the result is strangely compelling. It may not be this great thriller, but it is good enough for repeated viewings and Bullock does a good enough job. 

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Unpopular Opinion Tag (Films)

unpopular-opinionfilm-tagRichard at The Humpo Show has tagged me to get involved in this Unpopular Opinion Tag (Films edition), and I thought it would be great fun since I have to pick three films generally loved by most people, but which I find undeserving of all the hype and explain my choices. Thanks again, Richard!

In particular, the rules are as follows:

  1. Pick three movies which most people like, except you;
  2. Tag a minimum of five (or more) other people;
  3. Thank the person who has tagged you.

So, without further ado, I pick American Beauty (1999), Dead Poets Society (1989) and The Cabin in the Woods (2012). Be warned, spoilers ahead

4e5d899fb6d6955af67044f6ced65cecI. American Beauty (1999)

IMDb score: 8.4; Rotten Tomatoes score: 88%. 

I am a fan of Sam Mendes (see “Revolutionary Road(2008) and “Skyfall(2012)), but “American Beauty” is just far from being a great film everyone thinks it is. The film is just a pretentious and self-indulgent portrayal of middle-class family life in the suburban USA. It may appeal to the audience because of its strong performances, alluring direction and cinematography, and its beautiful soundtrack, but its self-conscious, manipulative play with the its melodramatic narrative leaves much to be desired, and all of its characters are unlikable. Through the narrative of our already dead protagonist, middle-aged Lester, “American Beauty” looks at the example of a middle-class suburban life cynically, romanticising the exploitation and commodification of female bodies, the maniac and perverted pursuit of underage girls, and the use of drugs, among other things. The film thinks Lester, played by Kevin Spacey, is another “Great Gatsby”, who died being misunderstood by everyone and because of some unfortunate series of events. In fact, the film glorifies a protagonist that is abusive and manipulative, and that is only too happy to gain and exploit the attention of young girls to satisfy his own sexual needs (Lester Burnham is an anagram of “Humbert learns” (from Nabokov’s controversial “Lolita”). Though some of its scenes are entertaining, the film’s overall self-importance is just laughable, and the messages its sends are, if not shocking, then definitely very tasteless.
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