“Everybody Knows” Mini-Review

todos lo saben poster Everybody Knows (Todos lo saben) (2018)   

This mystery-thriller comes from the acclaimed director Asghar Farhadi (The Salesman (2016)), and stars such big-time actors as Penelope Cruz (Volver (2006)), Javier Bardem (Mother! (2017)) and Ricardo Darin (The Secret in Their Eyes (2009)). It seems therefore like this film can do no wrong, but, unfortunately, much does not go well in this latest by Farhadi. In this story, Laura (Cruz) travels from Argentina to Spain with her two children to attend her sister’s wedding. She arrives to a quiet Spanish village of her childhood and is happy to strengthen relationship with her large extended family. However, when Laura’s teenage daughter gets kidnapped, familial secrets come dangerously close to being revealed, and the pool of suspects thins to point to some family members. In Everybody Knows, the lead actors’ performances cannot be faulted, and the film has this one-of-a-kind ambiance of traditional rural Spain. The director also admirably tries to explore some curious familial situations. However, the problem with this film is that it does not become a clever mystery-thriller with tension surrounding the kidnapping and some twists to come. Instead, overlong Everybody Knows is all about tedious melodramatic scenes, with the feeling left that the script could have been considered for some local TV series. Even more unfortunately, what “everybody knows” in the story or the big reveal could easily be guessed in the first half of this well-meaning “mystery” movie.  Read more of this post

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The Second Annual Alfred Hitchcock Blogathon: The Birds (1963)

The Birds PosterThe Birds (1963)

Maddy at Maddy Loves Her Classic Films hosts a second blogathon in honour of Alfred Hitchcock and his films, and I am writing, as they say, on his most terrifying film – “The Birds” (1963). The film takes inspiration from a story by Daphne Du Maurier (“Rebecca” (1940)) of the same name, and it is about a strange behaviour of birds in Bodega Bay, California. The centre of the story is Melanie Daniels (Tippi Hedren), a wealthy socialite who romantically pursues a lawyer Mitch Brenner (Rod Taylor), whom she has just met. While we watch all the romantic tensions and a love triangle developing, the birds in the area start to attack people, and what initially looks like a light and intriguing romance story takes a sinister turn and we are confronted with unimaginable horrors. Complex and technical to film, “The Birds” represents one of Hitchcock’s most admirable accomplishments. Here, an intriguing romance story with thought-provoking elements meets an original take on horror and the result is a classic, “must-see” film.
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“Thoroughbreds” Review

Thoroughbreds PosterThoroughbreds (2017) 

What happens when a street-smart, completely unemotional teen girl rekindles her childhood friendship with a doubtful, book-smart girl who can feel emotions, but who wants to get rid of one pressing problem in her life? This situation lies at the core of “Thoroughbreds”. Extremely talented rising stars Olivia Cooke (“The Limehouse Golem” (2017)) and Anya Taylor-Joy (“Split” (2016) and “The Witch” (2015)) star as Amanda and Lily respectively, two girls from a wealthy suburban neighbourhood in Connecticut who have the so-called “meeting of the minds” and join their forces to put aside their problems for good. Lily has a problem with her stepfather, while Amanda is curious how far she can go on her unemotional spectrum and commit acts she would otherwise not even consider. When the duo meets criminally-minded Tim (Anton Yelchin (Green Room” (2015)) their sinister intentions take a step closer to reality.  

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“The Limehouse Golem” Review

The Limehouse Golem (2017) MV5BNDU5YzgyOGYtNTFjMi00Mzg4LWFhODMtMjY3OWM0ZjM0YTVkXkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_SX675_CR0,0,675,999_AL_

This film, based on the novel by Peter Ackroyd “Dan Leno and The Limehouse Golem”, starts with Victorian London being shaken by a series of gruesome murders deemed to be perpetuated by an individual so mythical he is called Golem. Eccentric Inspector John Kildare (Bill Nighy) is assigned to the case, and begins to delve into the mind of a deranged individual, while, at the same time, a woman, one Elisabeth Cree (Olivia Cooke) is about to stand trial for the murder of her husband John Cree (Sam Reid). As Inspector discovers more information, he realises that the late John Cree may have been the London serial killer Golem, while other three men also equally come under suspicion, namely Karl Marx, Dan Leno and George Gissing. In content, this film is not just the recycling of the Jack the Ripper ideas. As “From Hell” (2001), “The Limehouse Golem” engulfs the viewer into the same gory atmosphere of Victorian England where cruelty and debauchery reign supreme, but it is probably the film’s unexpected twist at the end, as well as the superb acting of its cast, which make it distinguishable and memorable.

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Agatha Christie: Murder on the Orient Express (1974) and Murder on the Orient Express (2017) Film Reviews

db43d6c7a20c1608c859b3753294cdf4Murder on the Orient Express (1974)

It is no wonder that Agatha Christie chose the Orient Express, once the most luxurious train in the world, as the setting for one of her fictitious crime scenes. From Paris to Istanbul, a journey of some 1,920 miles, will take passengers around 1883 (the date of its first launch) through exquisite landscapes in the total comfort of their seats and beds. “Murder on the Orient Express” was also inspired by the real incident which happened in 1929 when the train was forced to a standstill for five days due to heavy snow. “Murder on the Orient Express” (1974), directed by Sidney Lumet (“Twelve Angry Men” (1957)), could be said to be the first truly successful adaptation of a Christie’s novel, and the last film viewed by Agatha Christie herself, who approved it. Boasting an unbelievably starry cast, including such names as Ingrid Bergman, Lauren Bacall, Sean Connery, Anthony Perkins and Vanessa Redgrave, this adaptation is both true to the novel and very-well acted, deserving high praise.

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Halloween Special: “Split” Review

split_ver4It is that time of the year again: time for trick-or-treating, pumpkin-carving, witches-watching and party-going! To celebrate the tradition which may date back to some ancient rituals of Celts, here is my review of the film “Split” from one of the front-men of the modern horror/thriller genre – M. Night Shyamalan (“The Sixth Sense” (1999), “Unbreakable” (2000), “The Village” (2004)). Also, to get you into the festive mood, you can check out my other reviews of horror films, all of them are listed here.

Split (2016)

This film is M. Night Shyamalan’s latest creation, which exceeded everyone’s expectations. Here, a man Kevin (James McAvoy) abducts three girls and holds them hostage in a building. Kevin suffers from a multiple-personality disorder, one of the most serious and rarest of all psychiatric illnesses. He has twenty-three different personalities, who compete for attention in his head, and the captive girls must race against time to free themselves before the emergence of the most frightening and uncontrollable twenty-fourth personality called simply “The Beast”. “Split” is very well-made, with the outstanding acting, especially by McAvoy, and a fascinating plot and topic. What about Shyamalan’s penchant for unbelievable twists, one may ask? Well, there are simply no twists, in a traditional sense of this word, or none to concern oneself when watching the film.

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The Horrorathon: Les Diaboliques (1955)

1820Maddy at Maddy Loves Her Classic Films is hosting the Horrorathon, celebrating horror movies in the light of the forthcoming Halloween, and I have decided to contribute with a short review of one intelligent and highly influential film which some view to be one of the parents of the modern psychological horror/thriller genre:

Les Diaboliques (1955)

Henri-Georges Clouzot’s French-language film “Les Diaboliques” is the film which Alfred Hitchcock was dying to make, but never did (he ardently wanted to buy the rights to the book). The film is not a strictly horror movie, but, rather, a psychological thriller with suspense and horror elements combined. Here, two women, Christina and Nicole, the wife and the mistress of the oppressing director of a boarding school respectively, decide to kill their man and dispose of the body. Everything goes according to plan, but does it really? After the murder, the two women realise that the corpse of their victim is nowhere to be found and the mystery seems to deepen with each passing day.

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