“Psycho” Review

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Psycho (1960)

**SPOILER ALERT**

This will be my 100th film review and to celebrate the occasion I thought I would review one of my favourite of psychological horror films – Alfred Hitchcock’s “Psycho”. Adapted from a novel by Robert Bloch, this film is a real classic of psychological horror genre, which practically revolutionised the way horror films were shot ever since its premiere. Relatively innovative in how it presents the characters, story and the ending at that time, Hitchcock’s “Psycho” is as suspenseful and frightening as it is entertaining, and is definitely a “must-see” for anyone who has even a slightest interest in the genre.

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“Nocturnal Animals” Review

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Nocturnal Animals (2016)

After directing critically-acclaimed “A Single Man” back in 2009, Tom Ford has decided to try his hand in directing something darker and more complicated, an adaptation of the novel by Austin Wright “Tony and Susan”. “Nocturnal Animals” is a drama/thriller containing two stories running in parallel: one in which Susan (Amy Adams), an art gallery owner, receives a manuscript from her ex-husband, Edward (Jake Gyllenhaal) and the impact that his forthcoming novel has on her; and another one in which the story in Edward’s manuscript is told. In that story, Edward and his family are fighting off the deadly advances of a gang on the way to their vacation, and the result of their on-the-road struggle is a horrific crime and a painful detective work. 

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Hitchcock’s “Rebecca” Review

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 **SPOILER ALERT** 

Rebecca (1940)

“…I suppose sooner or later in the life of everyone comes a moment of trial. We all of us have our particular devil who rides us and torments us, and we must give battle in the end” (Daphne Du Maurier “Rebecca” (1938)). 

Directed by Alfred Hitchcock, “Rebecca” is adapted from the best-selling novel by Dalphne Du Maurier, and tells of a mysterious widower, Maxim de Winter (Laurence Olivier), the owner of a grand estate Manderley, who stumbles across a shy and awkward young girl (Joan Fontaine) while on a trip in Monte Carlo. De Winter hurriedly marries our heroine, but upon the arrival to his estate, the new Mrs de Winter feels like a trespasser. She realises that every corner of the house is permeated by the spirit of Maxim’s beautiful, charming and intelligent previous wife, Rebecca, and senses that her husband still re-lives the happy moments that he had with his former wife. 

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“Déjà-vu” Mini-Review

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Déjà-vu (2006)

“What if you had to tell someone the most important thing in the world, but you knew they’d never believe you?” (Doug Carlin)

In 2006, the now late Tony Scott directed a time-travel thriller “Déjà-vu” starring Denzel Washington and Val Kilmer, presenting a story of A.T.F. agent Doug Carlin who starts to investigate a bombing of a ferry in New Orleans, but ends up embarking on a romantic time-travel mission to save the lives of many. Coming from a film director known for “True Romance” (1993) and “Enemy of the State” (1998), “Déjà-vu” plays all its cards right, and, despite perhaps failing to convince the audience in the plot’s technological advances, the movie still feels very “complete”, fun to watch and provides just the right amount of suspense to keep one intrigued until the very end.  Read more of this post

“The Infiltrator” Review

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The Infiltrator (2016)

The 1980s. A federal agent Robert Mazur (Bryan Cranston) works as an undercover in a notorious drug trafficking ring established by Pablo Escobar. Robert Mazur is now influential and charismatic Bob Musella who operates alongside two other undercover agents: his “fiancée” Kathy Ertz (Diane Kruger) and best friend Emir Abreu (John Leguizamo). However, in reality, Robert is also a devoted family man, raising two children, with his wife Evelyn (Juliet Aubrey). This movie explores the unreal day-to-day life of an undercover agent who faces grave dangers every day, and all for the chance to secure convictions of the most notorious drug lords in the country. “The Infiltrator” is a very engaging, well-acted movie that goes in some depth in its portrayal of an undercover life, and along the way, distinguishes itself from other drug trafficking/undercover cop movies by being “authentic” in its story progression and low-key when it comes to action sequences and special effects.  Read more of this post

“Dead Ringers” Review

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“Dead Ringers” (1988)

 “Am I really that different from Beverly?” – Elliot

“You really are…” – Claire

David Cronenberg’s 1988 feature “Dead Ringers” is the director’s “trademark” movie starring Jeremy Irons, and loosely based on a real-life story of identical twin brothers working as gynaecologists in New York. The movie closely follows Elliot and Beverly Mantle (both played by Jeremy Irons), who share their lives so closely that they not only divide their professional tasks among themselves, but also date the same women. However, their extreme closeness and obsessive working trends, as well as the appearance of a certain woman (Geneviève Bujold), soon results in their well thought-out life patters spinning out of control. The film’s story is fascinating and Cronenberg-style components are well presented, but what makes this movie irresistible is Irons’s brilliant performance. Read more of this post

“Eastern Promises” Review

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Eastern Promises (2007)

 **SPOILER ALERT**

Eastern Promises” is David Cronenerg’s 18th big film starring Viggo Mortensen, Vincent Cassel and Naomi Watts. The script is written by Steven Knight, better known for “Amazing Grace” (2006) and “Locke” (2013), and the movie starts with a young Eastern European girl dying during childbirth, leaving her baby girl and a diary behind, which is then taken into care/examination by a nurse called Anna (Watts) in a London hospital. Upon the diary’s examination, Anna discovers that it is very probable that the young girl has suffered badly at the hands of certain individuals, which takes her deep into the seat of a London-based Russian mafia and its operation.

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