10 Oscar Injustices of 2018

If last year the Academy Awards ceremony surprised us all with an unbelievable envelopes’ swap, and hence, provided a lot of entertainment as a result, this year the Academy Awards had the distinction to be so predictable as to verge on absolute boredom. I am glad though that “The Shape of Water” won the Best Picture Award and that “Coco” was considered the Best Animation. However, the question still remains – what injustices the Academy committed this year? What great films and performances it unjustly ignored? The following films, scripts and performances were arguably so good that they should have been acknowledged.  

florida-project (1)1. “The Florida Project

First of all, the fact that “The Florida Project” was not among the Best Picture Oscar nominees is one of the greatest Academy Awards’ injustices. This movie was just one of a kind: emotional, inspiring, insightful. Sean Baker has done a tremendous job with a relatively small budget, and the acting was excellent, especially from little star Brooklynn Prince and from Bria Vinaite. The movie was not only well-made, it has a social importance, and, yet, the Academy only nominated Willem Dafoe in the category of the Best Supporting Actor. “The Florida Project” is such a great movie that the Academy should have nominated it not only in the category of the Best Picture, but Sean Baker should have also received his Best Director nomination.    

jWlXk4e2. “Blade Runner 2049”  

For all intents and purposes, “Blade Runner 2049” is the movie of great significance cinema-wise. It was ambitious enough to break from many previous cinema traditions and risked a more thought-provoking, nuanced and aesthetic look/approach. It is definitely the movie to show aliens out there what cinema is capable of here on Earth. It is true that the film’s length is worrying and its story is not that well thought-out, but there were certainly far worse Best Picture nominees in the past. All reason point to “Blade Runner 2049” being recognised in the category of Best Picture. “Get Out” was recognised in the Best Picture category as a mix of horror and social satire, so this science-fiction sequel should also had a chance to compete (on top of its Oscar tech nominations). 

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“The Florida Project” Review

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The Florida Project (2017)

Sean Baker, director of “Tangerine” (2015), has produced something special – a powerful, unforgettable film about the innocence, joys, freedoms and wonders of childhood played out in the context of social and economic exclusion in Florida, US. “The Florida Project” has been very unjustly ignored by the Academy in the forthcoming Best Picture Oscar race, an omission which is incomprehensible. “The Florida Project” is about a little girl Moonee (Brooklynn Prince) who lives with her young mother Halley (Bria Vinaite) in a simple motel with a big name “The Magic Castle” overshadowed by a large Disney resort. Moonee goes on happily with her daily activities full of wonder and mischief, barely registering the true hardship and deprivation which stalk economically-disadvantaged in the area.

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BFI London Film Festival 2017

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Yesterday was the last day of the BFI London Film Festival 2017, which ran between 4-15 October 2017, and I thought I would comment on the Best Film Award winner, on some other nominees, as well as on some of the films that took part in various special galas. The films of the Festival reflected today’s global challenges, while also emphasising various nations’ peculiar traditions and highlighting truly personal stories behind broader themes.

I. Official Competition – Best Film Award: 

Winner – “Loveless (Andrey Zvyagintsev)

Coming from Andrey Zvyagintsev, the man behind such critically-acclaimed films as “Leviathan” (2014) and “The Return” (2003), “Loveless” is another well-made film about a couple who lose their son during difficult time of divorce. “Loveless” has already made commotion (in a very positive sense) at the Cannes Film Festival, and all points to a drama which as emotionally devastating as it is thought-provoking. 

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