“The Double” vs. “Enemy”

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The question of personal identity and its duplication have been fascinating people for centuries. From Edgar Allan Poe’s “William Wilson” to Tchaikovsky’s “Swan Lake”, the theme has been pervasive in almost every form of art. When it comes to movies, such films as “Sommersby” (1993), “Face/Off” (1997), “The Prestige” (2006) or “Black Swan” (2010) may immediately come to mind. However, just recently, scriptwriters/directors have decided to approach the topic more directly, and we now see two films – Denis Villeneuve’s “Enemy” (2014) and Richard Ayoade’s “The Double” (2013) gracing cinema screens in the hope to awe. Although these two movies have their share of differences, e.g., “The Double” is far wittier and more satirical than “Enemy“, these two films share the same theme, and, therefore, it may be interesting to make a brief comparison between the two. Also, besides the “doppelganger” theme, what these two films also have in common is the relative novelty of the directors’ productions. “The Double” is Ayoade’s directional debut and for Villeneuve, ‘”Enemy” is only his second truly mainstream movie after “Prisoners” (2013), also starring Jake Gyllenhaal (“Donnie Darko” (2001), “Zodiac” (2007)).

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