Luca Guadagnino (“Call Me By Your Name” (2017) and “I Am Love” (2009)) is rebooting Dario Argento’s cult classic of the same name, and from the many plot similarities, it can be described as a remake (despite what actors may say). There seem to be both similarities and differences in the presentation: the music hints at the original, but some visuals are innovative. My favourite element here will be Tilda Swinton as Madame Blanc, a clever cast. It will also be interesting to see her character’s antagonistic tension and relationship with the character of Dakota Johnson. My concern is that I hope the film will remain dark and provocative with nice scary jumps, and not become too ridiculous. I am also disappointed with the cast of Johnson. She seems to be good here, but my belief is that someone younger with more remarkable features should have been cast in the lead role. Since it is Luca Guadagnino, a stylish and thought-provoking presentation is guaranteed. The original material is also intriguing, so it promises to be a good film. Continue reading “Luca Guadagnino’s “Suspiria” and Steve McQueen’s “Widows” Trailers”
Winner: 12 Years a Slave
Other nominees: American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, Her, Nebraska, Philomena, The Wolf of Wall Street
Well, there are hardly any surprises here, with virtually every film commentator predicting ‘12 Years a Slave’’s win. It is easy to see why there was hardly any competition at all in this category, too. With the greatest of respects to other nominated films, ‘12 Years a Slave’ just stands out in terms of its artistic merit and, most importantly, the impact it produces. I don’t mind if ‘Gravity’ sweeps every award out there, as long as the Best Picture goes to its most deserved contender. Arguably, ’12 Years a Slave’ is the only film in the category to which you can comfortably assign the word ‘masterpiece’. It is a great achievement for everyone involved in the production of this film, especially for its director, Steve McQueen.
12 Years a Slave (2013)
Coming from Steve McQueen (director of ‘Shame‘ (2011)), ‘12 Years a Slave’ can now be comfortably described as this year’s cinematic sensation. The film, based on a self-autobiographical novel by Solomon Northup, tells the story of a black free man, who lives a happy family life in Saratoga, New York in 1841. After he is tricked, kidnapped and sold into slavery in the South, his life turns up-side-down, and a once brilliant musician and an educated family man is now forced to endure an unjust hard life of a slave in Louisiana. The film is very truthful to Northump’s novel, and is filled with so much realism that when one of the characters at the end of the film starts talking about freedom and black people’s rights, the audience may find it hard to believe a word he says – so engrossed they have become in the political/social ideology of that time and in black people’s lives on a plantation in Louisiana.
’12 Years a Slave’ is a new film by Steve McQueen, the director who also brought us ‘Hunger’ (2008) and ‘Shame’ (2011). The film is based on a true story of a free black man from New York, Solomon Northup (Chiwetel Ejiofor), who was abducted and sold into slavery in Louisiana. The film portrays Solomon’s journey to regain his freedom, escaping a cruel plantation owner, Edwin Epps (Michael Fassbender), while at the same time striking up friendships with such people as a Canadian carpenter and outspoken abolitionist, Mr Bass (Brad Pitt). According to many polls around the world, Steve McQueen’s ‘12 Years a Slave’ is an early frontrunner for the Oscar Award 2014, along with Lee Daniels’ ‘The Butler’, David O. Russell’s ‘American Hustle’ and the Coen Brothers’ ‘Inside Llewyn Davis’.
Directed by Steve McQueen (‘Hunger’ (2008)) and starring Michael Fassbender, ‘Shame’ is a bold, beautifully-shot film about a high-paid office worker in New York, Brandon Sullivan (Michael Fassbender), who suffers from sex addiction. While Brandon is able to shuffle work and (his idea of) play reasonably successfully on a daily basis, his routine starts to spin out of control, and his life priorities are tested, when his younger sister, Sissy (Carey Mulligan), decides to pay him a visit and stay for a few days in his apartment.