“Antiviral” Review

anti viral posterAntiviral (2012) 

In 2012, a science-fiction film titled Antiviral hit both the Cannes Film Festival and the Toronto Film Festival, and what everybody talked about was that this film is from David Cronenberg’s son – Brandon Cronenberg. People started to look for similarities between Antiviral and David Cronenberg’s films and trademarks, and they found plenty of those. One of the points of this review is that Antiviral is an impressive film debut from Brandon Cronenberg, irrespective of his link to his famous father. That film and that director should be recognised in their own right. Antiviral is not a perfect film, but it has many interesting ideas and a good execution. It also has a feel different from David Cronenberg’s filmography. In Antiviral, Syd March (Caleb Landry Jones, Three Billboards Outside Ebbing, Missouri (2017)) is an employee of Lucas Clinic, a place where the dream of obsessed fans to be closer to their celebrities may be realised by injecting them with a live virus from one of the sick big celebrities. This way, customers will experience a one-of-a-kind union with their idols. One such celebrity which has a link to the clinic is beautiful Hannah Geist (Sarah Gadon (Indignation (2016)). When Hannah falls ill after a trip to China, Syd flouts company regulations and becomes a host to her virus, not even realising that Hannah is on the brink of death.  Continue reading ““Antiviral” Review”

“Indignation” Review

indignation-poster

Indignation (2016)

 “Indignation” is a directional debut of a screen-writer and producer James Schamus, known for adapting the script of “Crouching Tiger, Hidden Dragon” (2000) and being the producer of “Brokeback Mountain” (2005). Adapting the book by Philip Roth, in “Indignation”, Schamus presents the life of Marcus Messner (Logan Lerman), a bright lad who, while working as a butcher in his father’s store in New Jersey, receives a prestigious scholarship to attend a college in Ohio. What follows is the depiction of Marcus’s troubles of fitting into his new college environment as he simultaneously tries to deal with his socially-unacceptable abhorrence for organised religion and with the confusion of his sexual-awakening. Schamus’s film is a particular kind of a film which is heart-breaking in individual scenes and bitter-sweet in its overall presentation, and the director manages to convey the story masterfully, paying particular attention to the character presentation and dialogue.

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