The Food in Film Blogathon: Facing Windows (2003)

Food in Film BannersSpeakeasy and Silver Screenings are presenting The Food in Film Blogathon, and I thought I must participate since food in films has always fascinated me. Food can be used sensually in a movie, as in “Como Agua Para Chocolate” (1992), in “I Am Love” (2009) or even in “The Lunchbox” (2013), or it can be used morbidly, as in “Rope” (1948), among other purposes and expressions. But, in many films, it seems to inexplicably connect main characters, and my choice of a film is exactly the one where food functions as such. In the Italian-language film “Facing Windows“, food does not play a leading role, but it does provide a point of connection between the main characters, becomes one of the components of a hidden passion, and symbolises the idea of remaining true to oneself, one’s origin and one’s beliefs. 

Facing Windows PosterFacing Windows (2003)

In this film, Giovanna (Giovanna Mezzogiorno) and her husband Filippo (Filippo Nigro) stumble upon an amnesiac man, Simone (Massimo Girotti), while out, and take him to their home. Simone only remembers a name “Simone” and a particular neighbourhood in Rome. While Giovanna gets entangled into Simone’s mysteries, she also becomes infatuated with the neighbour whose windows are just opposite hers, handsome bachelor Lorenzo (Raoul Bova), and the duo soon pursue the mystery behind Simone’s true identity together. Coming from Turkish director Ferzan Ozpetek, this film is a gem of the Italian-language cinema. It is an emotionally-moving, mystery-filled film, which also provides an in-depth character study. While the story here is interesting and poignant, the film is also beautifully presented, with aesthetically-pleasing shots and a very memorable, melancholy-inducing soundtrack, most of which is written by Andrea Guerra (“Hotel Rwanda” (2004)).

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The Duo Double Feature Blogathon: Julia Roberts and Richard Gere

filmz.ru_f_135767Phyllis Loves Classic Movies and The Flapper Dame are hosting the Duo Double Feature blogathon, and this is my contribution to this amazing and fun cinematic race. The blogathon showcases pairs of stars who made only two films together, and my choice is Julia Roberts and Richard Gere, who were in both “Pretty Woman” (1990) and “Runaway Bride” (1999). The onscreen couple consisting of Julia Roberts and Richard Gere may not be the most “homogeneous” of couples ever (for example, because the individual differences still show), but, in this case, it is the case of opposites attracting. The result is the onscreen chemistry which is palpable and undeniable, and which seems very “genuine” and moving, with its quirky and fun moments. This means that while Roberts and Gere’s iconic pairing in “Pretty Woman” might have been quite unforgettable, their chemistry in “Runaway Bride“, nine years after their first film, was still as solid. 

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“The Discovery” Review

The Discovery Poster

The Discovery (2017)

The Discovery” is a film which had its first premiere at the Sundance Film Festival 2017, but, arguably, it deserves more attention than it eventually got. Here, Will (Jason Segel) and Isla (Rooney Mara) meet in the strangest of times. It has been scientifically proven that the afterlife does exist, and this fact alone spiralled millions of suicides around the world, with people almost desperate to “get to the other side”. The scientist Thomas Harbor (Robert Redford) is behind the new discovery, and he has another trick up his sleeve: he thinks he can also show what the afterlife looks like before people take their lives. After all, who would not want to look at a holiday brochure before committing to their holiday destination? Although the film’s narrative slops and the chemistry between Segel and Mara is lukewarm, the film is atmospheric, raises some fascinating issues, and has a strong ending.

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“Match Point” Review

matchpointMatch Point (2005)

As some of my readers will know, especially those based in the UK, last Sunday was the men’s final of the Wimbledon Championships 2017, the oldest and, certainly, most prestigious tennis tournament in the world. This got me thinking about films which reference tennis, and I decided to review Woody Allen’s “Match Point“. In this film, Chris Wilton (Jonathan Rhys-Meyers), an ex tennis pro, comes from humble background, but slowly makes his way to the society’s upper class by dating and then marrying the sister of one of his students at a posh tennis club in London. However, this is all far from being a plain-sailing feat for Chris, because along the way he gets entangled with a seeming femme fatale and a starting actress Nola Rice (Scarlett Johansson), who may as well bring his undoing. If I did not know that this was Woody Allen’s film, I would never have guessed. This film not only plays like a dull TV soap opera for most of its time, it is also filled with pretensions and clichés regarding the lives of upper classes in London; has a list of totally unlikable characters; and is devoid of humour. 

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Film Review: A Ghost Story (2017) — Film Blerg

A-GHOST-STORY-via-A24

A Ghost Story” (2017) reunites director David Lowery with Rooney Mara and Casey Affleck. I gave a very high score to the director’s previous film “Ain’t Them Bodies Saints” (2013), involving these actors, because it won me over with its embedded poeticism and creativity alone; see my review of “Ain’t Them Bodies Saints here, and/or read a fair take on “A Ghost Story” by Film Blerg below: 

Films about ghosts are usually scary, jumpy and spine-tingling. David Lowery’s latest feature, A Ghost Story, carefully avoids boxing itself within the horror genre by proving itself an elusive poem on topics as various as life and death, time and perception, and the purpose of human and universal existence. Without doubt, it is one of…

via Film Review: A Ghost Story (2017) — Film Blerg

The “No, YOU’RE Crying!” Blogathon: Head in the Clouds (2004)

tearjerker6Debbie at Moon in Gemini is hosting the “No, YOU’RE Crying!” Blogathon, and I thought I would be part of that amazing film race. It is great when a film is so powerful emotionally that it makes you cry, even though there may not be many films out there who possess this enviable quality. Of course, some films are heart-breaking in themselves, such as “Life is Beautiful” (1997), but there may also be others, which do not immediately make you weepy, but which through their moving ending or the heartfelt relationship/chemistry between characters, make you also want to cry. “Head in the Clouds” is such a film for me. It is a very underrated romantic drama set on the eve of the WWII, telling of a rich heiress Gilda Bessé (Charlize Theron), who refuses to face reality while being surrounded by her friends Guy (Stuart Townsend) and Mia (Penélope Cruz).

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“The Age of Innocence” Review

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The Age of Innocence (1993)

Martin Scorsese once said that “The Age of Innocence” was the most violent film he had ever made. He was undoubtedly referring to the emotional torrents in the film, and, even though the film does not comes off as this totally perfect and touching romance, it still has many things to recommend it. Adapted from novel by Edith Wharton, the film pictures the 19th century New York’s delicate high society where manners and appearances take prime considerations. In the midst of it, lawyer Newland Archer (Daniel Day-Lewis) falls under the spell of the Europeanised and “exotic” Madame Olenska (Michelle Pfeiffer), finding himself in a love triangle, because he is soon to be married to the society’s belle, May Welland (Winona Ryder). Violent passions raging within the high-fenced societal constraints, almost tearing apart the delicate rules of order and innocence, is the film’s main theme. 

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