The “No, YOU’RE Crying!” Blogathon: Head in the Clouds (2004)

tearjerker6Debbie at Moon in Gemini is hosting the “No, YOU’RE Crying!” Blogathon, and I thought I would be part of that amazing film race. It is great when a film is so powerful emotionally that it makes you cry, even though there may not be many films out there who possess this enviable quality. Of course, some films are heart-breaking in themselves, such as “Life is Beautiful” (1997), but there may also be others, which do not immediately make you weepy, but which through their moving ending or the heartfelt relationship/chemistry between characters, make you also want to cry. “Head in the Clouds” is such a film for me. It is a very underrated romantic drama set on the eve of the WWII, telling of a rich heiress Gilda Bessé (Charlize Theron), who refuses to face reality while being surrounded by her friends Guy (Stuart Townsend) and Mia (Penélope Cruz).

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“The Age of Innocence” Review

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The Age of Innocence (1993)

Martin Scorsese once said that “The Age of Innocence” was the most violent film he had ever made. He was undoubtedly referring to the emotional torrents in the film, and, even though the film does not comes off as this totally perfect and touching romance, it still has many things to recommend it. Adapted from novel by Edith Wharton, the film pictures the 19th century New York’s delicate high society where manners and appearances take prime considerations. In the midst of it, lawyer Newland Archer (Daniel Day-Lewis) falls under the spell of the Europeanised and “exotic” Madame Olenska (Michelle Pfeiffer), finding himself in a love triangle, because he is soon to be married to the society’s belle, May Welland (Winona Ryder). Violent passions raging within the high-fenced societal constraints, almost tearing apart the delicate rules of order and innocence, is the film’s main theme. 

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“Indignation” Review

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Indignation (2016)

 “Indignation” is a directional debut of a screen-writer and producer James Schamus, known for adapting the script of “Crouching Tiger, Hidden Dragon” (2000) and being the producer of “Brokeback Mountain” (2005). Adapting the book by Philip Roth, in “Indignation”, Schamus presents the life of Marcus Messner (Logan Lerman), a bright lad who, while working as a butcher in his father’s store in New Jersey, receives a prestigious scholarship to attend a college in Ohio. What follows is the depiction of Marcus’s troubles of fitting into his new college environment as he simultaneously tries to deal with his socially-unacceptable abhorrence for organised religion and with the confusion of his sexual-awakening. Schamus’s film is a particular kind of a film which is heart-breaking in individual scenes and bitter-sweet in its overall presentation, and the director manages to convey the story masterfully, paying particular attention to the character presentation and dialogue.

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“The Handmaiden” Review

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The Handmaiden (2016)

The Handmaiden” is an award-winning erotic psychological drama directed by Park Chan-wook (“Oldboy” (2003), “Stoker” (2013)). Based on/inspired by the novel “Fingersmith” (2002) by Sarah Waters, the film centres on a young maid, Sook-Hee, who arrives to the estate of an affluent book-lover, Kouzuki, to be a servant to his niece Lady Hideko. However, nothing is as it seems, because Sook-Hee’s main employer is actually a conman, self-named Count Fujiwara, who made a deal with the young maid to con Lady Hideko out of her inheritance. Fiercely intelligent and provoking, “The Handmaiden” does three things brilliantly: it toys cleverly with its audience’s imagination, and challenges its formed beliefs and visual interpretations; touches a sensitive nerve with its poetic and erotic imagery; and provides a stunning cinematic experience.

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“La La Land” Review

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La La Land (2016)

Universally acclaimed, “La La Land” is the kind of a film which could melt the most cynical and toughest of critics. As romantic as it is visually stunning, the main charm of the film lies in its simplicity: a guy, Sebastian (Ryan Gosling), and a girl, Mia (Emma Stone) both dream of a professional success in Hollywood, and first find true happiness in each others’ arms, before the practical realities of their chosen “star” professions separate them. With an uncomplicated plot and an absolutely stunning soundtrack, “La La Land” has all the appeal of an old musical, while keeping things interesting and original with notes of modern music, the showcasing of modern technologies and with the demonstrations of a competitive side of today’s Hollywood business. In “La La Land”, Damien Chazelle (director) shows that, in 21st century, you can still not only make a financially successful old-school musical-comedy film, but also produce a real gem of a movie capable of leaving the audience breathless with its heart strings’ pulling and sheer inventiveness. 

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Makoto Shinkai: “Your Name.” (2016) and “5 Centimetres per Second” (2007)

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Your Name. (2016)

Makoto Shinkai’s latest animation feature “Your Name” is rapidly gaining international recognition, and has already grossed over 10 billion yen ($98 million), becoming the first ever anime film not produced by Studio Ghibli/Miyazaki to gross this sum at the Japanese box. This critical acclaim is unsurprising. “Your Name” is as close to perfection as any anime can get. Showcasing Shinkai’s talent for presenting emotional connections, fully-fledged characters and breathtakingly beautiful, detailed animation, “Your Name” is a romantic story of an accidental body-swap between a country girl Mitsuha and a city boy Taki, who, in reality, have never met. Both are high-school students who experience the usual teenagers’ problems and daily ups and downs. However, one day they start to switch bodies back and forth between each other through dreams. Through this experience, Mitsuha and Taki learn many interesting things about themselves, the opposite sex and human, emotional connections.

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La La Land tipped for Oscars glory after win at Toronto Film Festival 2016

The following news article is posted on the Guardian Film’s online page: 

“La La Land has taken the top honour at the Toronto film festival. The Los Angeles-set musical world premiered on the opening night film of the Venice film festival and screened in Telluride, before debuting in Toronto. The movie – Damien Chazelle’s third – has attracted raves from reviewers, with especial praise for Emma Stone’s performance as a struggling actor, whose relationship to her jazz pianist boyfriend (Ryan Gosling) becomes strained when his career begins to overtake hers. Stone was named best actress at last Saturday’s Venice film festival awards. Read more of this post

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