“The Beguiled” Review

The Beguiled (2017)timthumb

**SPOILER ALERT**

Sofia Coppola’s “The Beguiled” has probably been one of the most anticipated movies of this summer, and is based on the novel by Thomas P. Cullinan, initially titled “A Painted Devil”. In “The Beguiled” (2017), Miss Martha (Nicole Kidman) runs an all-girl boarding school in Virginia amidst the waging of the American Civil War, and among the remaining six of her pupils are highly-strung Edwina (Kirsten Dunst) and a boy-crazy girl Alicia (Elle Fanning). All is well, until one of the girls, Amy (Oona Laurence), discovers a wounded Yankee soldier (Colin Farrell) in the periphery of their school, and decides to bring him to school so that he can receive an immediate medical help. As the soldier recovers, however, he stars to pay special attention to the girls in the school, sparking fits of uncontrollable passion, and, ultimately, suspicion and jealousy. Although the film is beautifully shot, it is also a misguided attempt to produce something evocative and deep. Sofia’s “The Beguiled” has virtually no character development; the plot, which misses the dramatic point of Cullinan’s book completely; and the film’s choice of the cast is almost as bad as its adapted script.

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Previews: “The Current War”, “The Mountain Between Us” and “Flatliners”

The Current War PosterThe Current War (2017)

Story: The late 1880s. Thomas Edison (Benedict Cumberbatch) and George Westinghouse (Michael Shannon) compete for the power to supply sustainable electricity system to the masses. While Edison is the main inventor behind the system, promoting the direct current model, his rival Westinghouse had his own ideas about the system, vouching for the alternating current model, even though it was deemed dangerous at that time.

Director: Alfonso Gomez-Rejon

Leads:  Benedict Cumberbatch and Michael Shannon

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“Perfect Blue” (1997) vs. “Black Swan” (2010): Is Aronofsky’s Black Swan Perfectly Blue?

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Darren Aronofsky’s 2010 featureBlack Swan” is an Academy Award-nominated film, telling the story of a young ballerina Nina Sayers, whose transformation from a shy ballet dancer to a leading heroine ballerina of Tchaikovsky’s “Swan Lake” production causes a psycho-sexual breakdown. “Perfect Blue” is a lesser known 1997 Japanese animated movie based on a novel by Yoshikazu Takeuchi, telling the story of Mima Kirigoe, whose rapid descent from an admired pop-idol into a “tarnished” rookie actress has disastrous consequences.

In this piece, I will compare the two films closely, arguing that the two films share substantial similarities in terms of the plot, character, style, design, execution and the little details, pointing to the conclusion that the very underrated “Perfect Blue” was – at the very least – the direct and main inspiration for “Black Swan” (and even something much more than that), though Aronofsky himself denied the claim. Going further, the similarities are so striking that it could even be said that Aronofsky essentially re-made “Perfect Blue”, but changed the setting to a ballet, and re-modelled some characters, disguising them as others. 

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