“Psycho” Review

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Psycho (1960)

**SPOILER ALERT**

This will be my 100th film review and to celebrate the occasion I thought I would review one of my favourite of psychological horror films – Alfred Hitchcock’s “Psycho”. Adapted from a novel by Robert Bloch, this film is a real classic of psychological horror genre, which practically revolutionised the way horror films were shot ever since its premiere. Relatively innovative in how it presents the characters, story and the ending at that time, Hitchcock’s “Psycho” is as suspenseful and frightening as it is entertaining, and is definitely a “must-see” for anyone who has even a slightest interest in the genre.

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“The Neon Demon” Review

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The Neon Demon (2016)

 “Beauty isn’t everything. It’s the only thing, says Roberto Sarno inThe Neon Demon. Director of this movie, Nicolas Winding Refn, seems to have taken this statement close to heart, and crafted a film where visual beauty is, indeed, the only thing worth paying any attention to, seemingly forgetting that, in film-making, visual representation is never the only thing that counts. Refn (also director behind critically-acclaimed “Drive” (2011)) is now here also the writer, and his story is about Jesse (Elle Fanning), an underage aspiring model, who comes to LA to try her luck in show-business. After gaining initial success, Jesse realises that the climb to the top is thornier than she had previously imagined it to be, especially when a group of fellow models start to covet her natural attributes and instantaneous success. Despite its outstanding visual effects and a promising premise, “The Neon Demon” is preposterous and misguided, that kind of a film which one can easily stop watching half way through, never really caring about the ending.

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The current state of horror: Sequels and remakes are still in

Despite the occasional flash of inspiration, the horror genre still seems reliant upon countless remakes and sequels.

By James Thompson 

The horror genre is one I could talk about for days on end; the iconic characters we have seen through the years, the classic films and the cornerstone actors who have stuck to their chosen traits. It’s one genre that certainly has a rich history but in its recent years is suffering from an overabundance of sequels and remakes.

So much so that the genre is indeed oversaturated with these entries. Admittedly you could look back at the likes of ‘Friday The 13th’, ‘Halloween’ and ‘A Nightmare On Elm Street’ to find copious sequels but you would have thought by now that this would have become a thing of the past – wrong.

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“Insidious” Review

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Insidious (2010)

‘Insidious’, directed by James Wan (‘Saw’ (2004), ‘Dead Silence’ (2007)), is one of those few psychological horror films that are genuinely scary without sliding into ridiculousness or downright dullness, and that also provides for a very good entertainment in terms of fascinating subject matter, gripping plot, good acting and great sound effects. In ‘Insidious’ the plot centres on the Lambert family, who recently moved into their new house. After Dalton Lambert (Ty Simpkins), a small boy, has a falling accident in the attic, and mysteriously slips into a coma, strange things start to happen in the Lambert family’s new house. When Dalton’s mother, Renai and father, Josh (Rose Byrne and Patrick Wilson) start to investigate the causes and nature of strange apparitions and noises, they soon discover that their child’s endless sleep has more to do with the house’s haunting state than they have ever dared to guess.

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“Rosemary’s Baby” Review

Rosemary’s Baby (1968)

Adapted from a novel by Ira Levin and directed by Roman Polanski, ‘Rosemary’s Baby’ is a psychological horror movie which can now be regarded as a cult classic of the horror genre. The centre of the story is a young couple – Guy and Rosemary Woodhouse (John Cassavetes and Mia Farrow). After the couple’s move to Bramford, a gothic complex of apartment buildings in New York, strange occurrences begin to take place, and their elderly neighbours’ friendliness becomes too suspicious. When Rosemary gets pregnant, suspicions about people around her start to escalate, and the final question becomes: what is the truth here, and what is just a figment of her imagination?

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