The Colours Blogathon: Betty Blue (1986)

betty-blue-movie-poster-1986-1010355058Catherine at Thoughts All Sorts is hosting The Colours Blogathon, and my contribution to this amazing and colourful parade of entries is a French cult classic film from the year 1983 called “37°2 Le Matin” or simply “Betty Blue“. Nominated in 1986 for an Academy Award in the Best Foreign Language Film category, this film of a passionate, but doomed love affair is now almost iconic. It exquisitely, stylishly and powerfully narrates and presents the love story of Zorg and Betty, initially written by Philippe Djian, the author behind “Elle(2016). Faithful to the book, this movie is like its main heroine, Betty: undeniably beautiful, unashamedly erotic and sensual, and also a bit crazy and self-indulgent, capable of finding beauty in tragedy and charmingly rendering it through a cinematic prism. In “Betty Blue”, what you may find is both an artfully erotic cinematic take on a moving love story, and an uncomfortable film filled with both familiar and unfamiliar character studies. Add to this a beautiful soundtrack by Gabriel Yared and a delightfully colourful cinematography, and you have a truly memorable film about passionate love gone awry.   

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“Elle” Review

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Elle (2016)

**SPOILER ALERT**

A Dutch director known for “Basic Instinct” (1992) and “Total Recall” (1990), Paul Verhoeven, has produced his first French-language film to date – “Elle”, based on a novel by Philippe Dijan (also known as the writer of “Betty Blue” (1986)). “Elle” has already competed for a Palme d’Or at the Cannes Film Festival 2016, and deals with a very sensitive topic of a rape perpetuated on a successful businesswoman Michele Leblanc, whose complex relationship with her family and the deeply-seated psychological trauma experienced during childhood, lead her to have an unconventional response to the attack. This film is as disturbing as it is engrossing, and, overall, proves to be a very satisfying experience, thanks to an outstanding performance by Isabelle Huppert (“The Piano Teacher” (2001)), and due to a masterful (though also confusing) mix of a psychological thriller, a Hitchcockian detective story and French black humour.        

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