What Some Films Really Cost to Produce: Accidents When Filming

They’re extraordinary, these special effects guys and stunt guys. To watch those craftsmen at work…There really should be an Oscar for stunt work. These guys are incredible and they’re so careful and so professional. And they’re artists. They do amazing things.” (Helen Mirren, British actress, quote taken from slashfilm.com).

The intention of this post is not to depress or offend anyone. As most of you will know, yesterday, the Academy of Motion Picture Arts announced a new category of award called “Achievement in Popular Film”. My point is that, rather than devising this preposterous category, it would have been better for the Academy to finally recognise the invaluable contribution of stunt performers, who sometimes risk their lives to make a great scene for us all to enjoy. What follows are ten instances where the process of making an action film did not go as planned so as to demonstrate that film-making can be dangerous and, thus, the bravery, artistry and contribution of stunt performers (crew/coordinators) should be recognised. In no particular order: 

Harry-Potter-and-the-Deathly-Hallows-Part-1-poster1. Harry Potter and the Deathly Hallows (2010) – David Holmes

David Holmes worked as a stunt double for Daniel Radcliffe (Harry Potter) on the set of “Harry Potter and the Deathly Hallows“. He was also a stunt double for Radcliffe on all previous Harry Potter films. He flew broomsticks being attached to wires, as well as performed various other “magical”, but dangerous actions. Tragically, on the set of “Harry Potter and the Deathly Hallows“, when shooting an explosion scene, Holmes was thrown against a wall and is now paralysed from the chest down. He now races modified cars and has started his own production company.  

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“Inception” Score is Edith Piaf Song in Slow Motion

This is a dated article now written by  [13/09/2014 accessed], but for the fans of Nolan’s “Inception” (2010) who haven’t seen this yet, it will be a very interesting read. “The Edith Piaf song, “Non, Je Ne Regrette Rien” is used by characters in “Inception” as an alarm to wake from dreaming. It’s a lovely touch, but one exploited by composer Hans Zimmer in assembling the film’s entire score.” Here is an audio comparison:

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The Academy Awards 2014

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Best Picture

Winner: 12 Years a Slave

Other nominees: American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, Her, Nebraska, Philomena, The Wolf of Wall Street

Well, there are hardly any surprises here, with virtually every film commentator predicting ‘12 Years a Slave’s win. It is easy to see why there was hardly any competition at all in this category, too. With greatest respect and admiration for other nominated films, ‘12 Years a Slave’ just stands out in terms of its artistic merit and, most importantly, the impact it produces. I don’t mind if ‘Gravity’ sweeps every award out there, as long as the Best Picture goes to its most deserved contender. Arguably, ’12 Years a Slave’ is the only film in the category to which you can comfortably assign the word ‘masterpiece’. It is a great achievement for everyone involved in the production of this film, especially for its director, Steve McQueen.

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Philip Seymour Hoffman (23 July 1967 – 2 February 2014)

2011PhilipSeymourHoffmanPA090712

‘My passion to develop as an actor didn’t have anything to do with people knowing me. I had no idea that would happen. To become famous, to become a celebrity is something that I thought happened to other people’ (Philip Seymour Hoffman).

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My 10 Favourite French-Language Films

Modern era and in no particular order:

1. La Haine (Hate) (1995)

 Haine

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“A Better Life” Review

A Better Life (2011)

‘A Better Life’ follows the story of Carlos Galindo (Demián Bichir), a Mexican illegal immigrant in the US who works as a gardener at rich people’s mansions. Carlos is also a single father, raising his teenage son Luis (José Julián). When Carlos sees the chance to better his and his son’s life with the purchase of a new truck, he scraps every dollar and buys it. When the truck is stolen, desperate Carlos teams up with his son to try to return it.

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Oscars 2012: Is Extremely Loud and Incredibly Close the worst best picture nominee ever?

 

“Stephen Daldry’s post-9/11 drama is almost universally reviled, but the Academy has a history of nominating some dreadful films for the top prize, and often ignoring future classic. If there is to be a prize for the best picture at this year’s Oscars, then why not one for the worst? To make a great film is difficult and therefore worthy of honour. But to make a bad film that gulls the voters into thinking it’s great is no mean feat either. It may not be noble, but you have to admire the chutzpah.

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