1. “The Goldfinch” by Donna Tartt
Donna Tartt’s “The Goldfinch” is the number one international best-seller which won the prestigious Pulitzer Prize for Fiction in 2014. The story of a boy who lost his mother in a tragic event and who then clings to the only object that reminds him of her – the picture of a goldfinch is really the masterpiece (as was also called so by some critics), and Tartt was even compared to Dickens. The story is very emotionally-powerful and detailed, even though the second part is weaker than the first. What of the movie, then? The film is scheduled for 2019; will be directed by John Crowley (“Brooklyn” (2015)); and will star Ansel Elgort (“Baby Driver” (2017)) as the main character Theo. Why the film could prove to be a total disaster? There are many reasons. Though Elgort will probably look good as Theo, it will be next to impossible to capture the magic of the book. In the book, Theo battles internally with grief and trauma which are barely perceivable, and no film would really match the masterly of capturing the internal dilemmas of the main character in the book, not even considering all the philosophical references implicit in the book’s narrative structure. It does not also help that the book is around 860 pages long and spans many years. More so, the film could really tarnish the captivating narrative of the book for good. Why even try?
Continue reading “5 Forthcoming Book-to-Film Adaptations that Can Go Very Wrong”
Marjorie Prime (2017)
Based on an acclaimed play by Jordan Harrison “Marjorie Prime”, the film of the same name is a science-fiction/drama film directed by Michael Almereyda (“Experimenter” (2015) and starring Lois Smith, Jon Hamm, Geena Davis and Tim Robbins. It tells of a woman in her 80s, Marjorie, who spends her time with a programme which simulates the younger version of her late husband, Walter. Marjorie’s immediate family at first becomes concerned about her close interactions with such a true-to-life replica of Marjorie’s late husband, but they all soon too succumb to the charms of the new technology. Despite the fascinating premise of the film, and a wide range of thought-provoking questions it raises, the film fails to live up to any expectations. This is probably the instance where a material is best to be enjoyed as a play only, because, as a film, it is both dragging and far from being compelling.
Continue reading ““Marjorie Prime” Review”
Story: Based on a novel by Patricia Highsmith “The Price of Salt“, “Carol” is a romantic drama set in the 1950s in New York. It is about a young department-store clerk, Therese Belivet (Rooney Mara), and her “forbidden” relationship with a much older affluent woman, Carol (Cate Blanchett), who goes through a bitter divorce.
Director: Todd Haynes.
Leads: Cate Blanchett and Rooney Mara.
Analysis: The film has to be outstanding regarding its directing and acting merits. “Carol” competed for the Palme d’Or at the Cannes Film Festival 2015, where Mara won the Best Actress Award (shared), and the film also topped the Golden Globe nominations. Highsmith’s novels enjoyed quite a success on screen, for example, both Anthony Minghella’s “The Talented Mr. Ripley” (1999) and Hossein Amini’s “The Two Faces of January” (2014) were reviewed positively by critics; and the in-depth exploration of same-sex relationships on screen is becoming quite a trend, for example, see “Blue is the Warmest Color” (2013) and “Clouds of Sils Maria” (2014). Overall, no fault found so far.
Conclusion: “Carol” promises to be a touching film, full of inexplicable emotion and depth. A definite must-watch.
Predicted score: 10/10 Continue reading “Previews: “Carol”, “Experimenter” and “By the Sea””