“The Age of Innocence” Review

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The Age of Innocence (1993)

Martin Scorsese once said that “The Age of Innocence” was the most violent film he had ever made. He was undoubtedly referring to the emotional torrents in the film, and, even though the film does not comes off as this totally perfect and touching romance, it still has many things to recommend it. Adapted from novel by Edith Wharton, the film pictures the 19th century New York’s delicate high society where manners and appearances take prime considerations. In the midst of it, lawyer Newland Archer (Daniel Day-Lewis) falls under the spell of the Europeanised and “exotic” Madame Olenska (Michelle Pfeiffer), finding himself in a love triangle, because he is soon to be married to the society’s belle, May Welland (Winona Ryder). Violent passions raging within the high-fenced societal constraints, almost tearing apart the delicate rules of order and innocence, is the film’s main theme. 

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“Silence” Review

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Silence (2016)

**SPOILER ALERT**

This is not the sort of film you “like” or “don’t like”. It’s a film that you experience – and then live with” (Matt Zoller Seitz).

…wandering here over the desolate mountains – what an absurd situation!…I knew well, of course, that the greatest sin against God was despair; but the silence of God was something I could not fathom” (Rodrigues [Endo: 90]).

Martin Scorsese’s 28-years’ “passion” project culminated in the film “Silence“, based on the acclaimed novel by Shūsaku Endō. The film is about two 17th century Portuguese Catholic priests, Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver) who decide to travel to Japan in search of their former mentor, Father Ferreira (Liam Neeson), who, most believe, betrayed his holy cause in the foreign land. Touching on delicate moral and religious issues, the film is powerful both in its vision and in its message, achieving its desired cinematographic goal to awe, thanks to Scorsese’s dedicated and masterful direction, breath-taking cinematography and inspiring original material. Although the plot is uncomplicated and could even be considered “thin”, underneath every action and thought of the main character lies (and could be sensed) a myriad of contradictory emotions; culturally-divisive inner turmoil; and dormant causes for the later spiritual/religious re-awakening. 

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“Silence” Trailer

The rumours about Martin Scorsese’s “Silence” have been circulating for a long time now, especially regarding the forthcoming Academy Awards. On 29 November, his historic film about a Jesuit missionary’s persecution in the 17th century Japan premiered at the Vatican. Personally for me, the presence of Andrew Garfield, who is a good actor, will be distracting in the movie because of all the associations I have with him in the most diverse films, from comical “The Amazing Spider-Man“(2012) to modern “The Social Network” (2010)…How to shed these?

“The Departed” Review

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The Departed (2006)

              ‘When I was your age they would say we can become cops, or criminals. Today, what I’m saying to you is this: when you’re facing a loaded gun, what’s the difference?’ (Frank Costello) 

Martin Scorsese’s crime thriller ‘The Departed’, winner of an Academy Award for Best Picture in 2006, is considered to be the director’s finest take on the mob theme since ‘Goodfellas’ (1990) (intermittently he also directed ‘Casino’ (1995) and ‘Gangs of New York’ (2002)). With many great actors involved in this movie, and with such a meticulously constructed script, this is no wonder. ‘The Departed’ is set in the south of Boston during the time when the police wages their war against the Irish-American criminal syndicate. The film starts off with young Colin Sullivan (Matt Damon) befriending the untouchable lord of crime, Frank Costello (Jack Nicholson). Years later, there emerge two cops: one – Colin Sullivan, only too ready to infiltrate the state police as an informer for Frank Costello, and another Billy Costigan (Leonardo DiCaprio), a guy who grew up in a criminal environment, who becomes a gang member working for Costello, while at the same time working as a undercover cop. When both the state police and the mob begin to suspect that there is an informer within their circle working for the other side, both Sullivan and Costigan must race against time to uncover the identity of another to save their lives.

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