Luca Guadagnino (“Call Me By Your Name” (2017) and “I Am Love” (2009)) is rebooting Dario Argento’s cult classic of the same name, and from the many plot similarities, it can be described as a remake (despite what actors may say). There seem to be both similarities and differences in the presentation: the music hints at the original, but some visuals are innovative. My favourite element here will be Tilda Swinton as Madame Blanc, a clever cast. It will also be interesting to see her character’s antagonistic tension and relationship with the character of Dakota Johnson. My concern is that I hope the film will remain dark and provocative with nice scary jumps, and not become too ridiculous. I am also disappointed with the cast of Johnson. She seems to be good here, but my belief is that someone younger with more remarkable features should have been cast in the lead role. Since it is Luca Guadagnino, a stylish and thought-provoking presentation is guaranteed. The original material is also intriguing, so it promises to be a good film. Continue reading “Luca Guadagnino’s “Suspiria” and Steve McQueen’s “Widows” Trailers”
“This is not the sort of film you “like” or “don’t like”. It’s a film that you experience – and then live with” (Matt Zoller Seitz).
“…wandering here over the desolate mountains – what an absurd situation!…I knew well, of course, that the greatest sin against God was despair; but the silence of God was something I could not fathom” (Rodrigues [Endo: 90]).
Martin Scorsese’s 28-years’ “passion” project culminated in the film “Silence“, based on the acclaimed novel by Shusaku Endo. The film is about two 17th century Portuguese Catholic priests, Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver) who decide to travel to Japan in search of their former mentor, Father Ferreira (Liam Neeson), who, most believe, betrayed his holy cause in the foreign land. Touching delicate moral and religious issues, the film is powerful both in its vision and in its message, achieving its desired cinematographic goal to awe, thanks to Scorsese’s dedicated and masterful direction, breath-taking cinematography and inspiring original material. Although the plot is uncomplicated and could even be considered “thin”, underneath every action and thought of the main character lies (and could be sensed) a myriad of contradictory emotions; culturally-divisive inner turmoil; and dormant causes for the later spiritual/religious re-awakening.
The rumours about Martin Scorsese’s “Silence” have been circulating for a long time now, especially regarding the forthcoming Academy Awards. On 29 November, his historic film about a Jesuit missionary’s persecution in the 17th century Japan premiered at the Vatican. Personally for me, the presence of Andrew Garfield, who is a good actor, will be distracting in the movie because of all the associations I have with him in the most diverse films, from comical “The Amazing Spider-Man“(2012) to modern “The Social Network” (2010)…How to shed these?
The Bounty (1984)
Based on real events and adapted from the book by Richard Hough, ‘The Bounty’ tells the story of an expedition voyage of a British ship HMS Bounty to the island of Tahiti, the Pacific. Led by Captain William Bligh (Anthony Hopkins) and Master’s mate, Fletcher Christian (Mel Gibson), the ship soon crosses the most dangerous waters in search of an island full of bread plants. However, the harsh discipline of the Captain on board and the attractions of the tropical paradise soon become too irresistible for the crew. The eventual mutiny on the ship, headed by Christian, is only the beginning of the adventure in which the levels of maritime skill and endurance become the ultimate factors of survival.