This has probably been the most dramatic and political Oscars in history, which will forever be cemented in the minds of everyone for its notorious Best Picture mix-up: La La Land was mistakenly announced as the Best Picture winner. What the producers of La La Land went through after the mistaken announcement no one should ever have gone through. It was a plain disrespect shown to the La La Land and Moonlight production crews. And, if the mistake was spotted immediately, as the organisers claim, why three La La Land producers, one after another, had all the time in the world to give their three humble and moving acceptance speeches? By allowing such an mix-up, the Academy (that should bear its responsibility alongside PwC) really debased itself. Irrespective, this year, the competition for the coveted Academy Awards was very high. Only in the Best Picture category we have had nine amazing films and each of them could be described as inspiring, moving and thought-provoking. However, I still consider Scorsese’s epic Silence and Amy Adams’s performance in Arrival the biggest snubs at this year’s Oscars. Here, I will comment on the winners in the following categories: Best Picture; Best Actress; Best Actor; Best Supporting Actress; Best Supporting Actor; Best Director; Best Cinematography; Best Animation; Best Foreign Language Film; Best Original Song and Best Original Score. Continue reading “The Academy Awards 2017”
Yesterday, on 12 February 2017, the British Academy of Film and Television Arts (BAFTA) presented its 70th British Academy Film Awards. Hosted in the Royal Albert Hall in London, the ceremony was attended by the Duke and Duchess of Cambridge and presented by a comedian and actor Stephen Fry (“V for Vendetta” (2005)). The ceremony was particularly impressive this year, with the great British humour all around, and a fierce high film competition, which, although could have been even more diverse, was, nevertheless, inclusive of so many great foreign productions. Here, I will comment on the Best Picture, Actor/Actress, Supporting Actor/Actress, Foreign-Language Film, Documentary and Animation Award winners.
Today, the Academy announced its 2017 Awards’ nominations. Many nominations were predictable, e.g., “La La Land”, while some omissions/inclusions were surprising. Here, I will briefly comment on 7 categories: (1) Best Picture; (2) Best Actress; (3) Best Actor; (4) Best Animation; (5) Best Foreign Language Film; (6) Best Documentary; and (7) Best Original Song.
- Best Picture
- Hacksaw Ridge
- Hell or High Water
- Hidden Figures
- La La Land
- Manchester by the Sea
In my review of “La La Land”, I said how the movie was a perfect Academy Awards material, celebrating what is, in fact, Hollywood, well…even the Academy Awards itself. So, it is no surprise to see so many (14!) nominations for the movie. That is, of course, on top of the fact that “La La Land” is an excellent movie in its own right. “Manchester by the Sea” and “Moonlight” are predictable nominations, but, I think, that “Lion” was nominated on the strength of its story, rather than on the quality of the film per se. Going through the list I did not expect to see there “Nocturnal Animals”, and it was not included, but I think the movie was unjustly bypassed in some other categories, such as the Best Actor/Director/Score categories.
La La Land (2016)
Universally acclaimed, “La La Land” is the kind of a film which could melt the most cynical and toughest of critics. As romantic as it is visually stunning, the main charm of the film lies in its simplicity: a guy, Sebastian (Ryan Gosling), and a girl, Mia (Emma Stone) both dream of professional success in Hollywood, and first find true happiness in each others’ arms before the practical realities of their chosen star professions separate them. With an uncomplicated plot and an absolutely stunning soundtrack, “La La Land” has all the appeal of an old musical, while keeping things interesting and original with notes of modern music, the showcasing of modern technologies and with the demonstrations of a competitive side of today’s Hollywood business. In “La La Land”, Damien Chazelle (director) shows that, in the 21st century, it is still possible not only to make a financially successful old-school musical-comedy, but also to produce a real gem of a movie capable of leaving the audience breathless with its heart strings’ pulling and sheer inventiveness.