“Joker” Review

Joker Movie Poster Joker (2019)

Directed by Todd Phillips (The Hangover (2011)), Joker is a latest, much-hyped movie starring Joaquin Phoenix (The Master (2012)) in the titular role of Arthur Fleck or Joker, a stand-up comedian fallen on hard times, who resorts to violence in Gotham City to avenge wrongs allegedly committed against him. Being supported by no other than Robert De Niro (a role reversal from The King of Comedy (1983)), Joaquin Phoenix gives the performance in Joker than can only be described as manically jaw-dropping in its brilliance. The character insight and portrayal are also bold, vivid, without holding anything back, as the film tries to explore the origins of Arthur’s homicidal tendencies through his early history and its revelations. However, unfortunately, if we then shift our attention to anything that is not Phoenix or the character study, we can see a number of problems in the film, including the inability to suspend disbelief regarding major plot developments, the sheer predictability of the plot, and the imbalance in the spotlight given to the minor characters vis-a-vis the main one. Joker is a kind of a film that is made up solely out of one character study and cannot show anything for itself apart from its character study and the brilliant performance. If Joaquin Phoenix is not there, there is no film (thankfully, Phoenix is virtually in every shot). Why should that be a problem? Building a film around a character study is one thing, but having a “film” that is nothing but a very “self-important” character study is something completely different (because, in this case, the film seems more like a shameful star-vehicle). There is no Joker, without the Joker, it is true, but when there is nothing but Joker and everything else (not much) in the film is either very awkward, very predictable, very questionable or very puzzling, then there is simply no great film.  Continue reading ““Joker” Review”

“International Crimes” Films

Captain Phillips PosterI. Piracy 

Article 101 of the United Nations Convention on the Law of the Sea defines piracy as “any illegal acts of violence or detention… committed for private ends by the crew or the passengers of a private ship or aircraft and directed…on the high seas against another ship or aircraft…”. In 2017, there were 117 piracy incidents recorded (Statista statistics); and, in 2016, 191 similar incidents were reported (ICC statistics); in 2010, Somali pirates took hostage 49 ships with over 1.000 people on board (International Maritime Bureau information).

Captain Phillips (2013) 

The film showcases just this instance of a rising cross-border illegal activity, and tells of an incredible true story of the 2009 Maersk Alabama hijacking (see also a Danish counterpart “A Hijacking” (2012)). Richard Phillips (Tom Hanks) was in charge of one ship destined for Mombasa, Kenya from Oman. Captain Phillips and his crew then had to handle four Somali pirates who boarded their ship. “Captain Phillips” has plenty of nicely-executed, tense scenes, and Hanks gives a magnificent performances in the lead role, even though Barkhad Abdi (later “Blade Runner 2049” (2017)) was the only actor nominated for an Academy Award. In the film, it is easy to empathise with the Captain Phillips’s situation and admire his and his crew members’ actions. Perhaps, the film is a little too straightforward for the lovers of intrigue and nuance, but Hanks always plays sympathetic characters excellently, and the film largely holds on the fascinating situation involving the lead character’s commitment to preserve the lives of his crew members as he tries to reason with irrational demands of the invaders. 9/10  Continue reading ““International Crimes” Films”