Charlene at Charlene’s (Mostly) Classic Movie Reviews is hosting this absolutely amazing blogathon – The Medicine in the Movies Blogathon, and this review of Alfred Hitchcock’s “Spellbound” (1945) is part of the race. There are many good movies out there which explore interesting, intricate aspects of medicine: from Wellman’s overblown, but entertaining “Night Nurse” (1931) to Soderbergh’s documentary-like, but fascinating “Contagion” (2011). Psychiatry in films has not been left too behind either. Many films here focused on a mental institution itself, such as “One Flew Over the Cuckoo’s Nest” (1975) and “Girl, Interrupted” (1999), while others touched on various psychiatric issues through their “serial killer” plots, such as Hitchcock’s “Psycho” (1960) and Mangold’s “Identity“ (2003). But, while these films often explored medical concepts and disorders indirectly, some movies really got to grips with the intricate details of psychiatry by focusing on the issues head on. “Spellbound” is one of them.
The 16th of May is National Classic Movie Day, and what better way to celebrate this than to write a post on one’s favourite five classic movie stars. The rules of this blogathon hosted by the Classic Film and TV Cafe is that people list their five favourite classic movie stars and then say why they love them. So, without further ado and in no particular order:
I. Vivien Leigh (1913 – 1967)
“My birth sign is Scorpio and they eat themselves up and burn themselves out. I swing between happiness and misery. I am part prude and part nonconformist. I say what I think and I don’t pretend, and I am prepared to accept the consequences of my actions.” (Vivien Leigh)
I will talk about three November-born ladies, and my first one is Vivien Leigh, who had a rich life story. She was born in British India, but when her parents left for England, found herself at a British boarding school. From there, she was determined to succeed as an actress, and even set aside her married life with a lawyer to pursue theatre work. She later married no other than Laurence Olivier, with the two sharing a passionate love and mutual professional admiration. Her breakthrough came when she was cast as Scarlett O’Hara in the famous adaptation of Margaret Mitchell novel of the same name “Gone with the Wind” (1939) alongside Clark Gable, for which she won her first Oscar. There, she proved to be a great actress indeed: controlled, magnetic, capable of showing every possible façade of a personality, from cunning aloofness to extreme passion. Vivien Leigh really was Scarlett O’Hara, strong-willed, determined, intelligent, passionate, magnetic and beautiful. She was a femme fatale, both on screen and in life, but without any negative connotations, admired for her irresistible charm and acting skill. She was later also cast in such films as “A Streetcar Named Desire” (1951) alongside Marlon Brando, for which she won her second Oscar, “That Hamilton Woman” (1941), “Caesar and Cleopatra” (1945) and “Anna Karenina” (1948).