“The Little Stranger” Review

the little stranger poster The Little Stranger (2018)

The film adaptation of Sarah Waters’ novel “The Little Stranger” had some bad public reviews, and, therefore, I was curious to see it. In the story, Dr Faraday (Domhnall Gleeson) reacquaints himself with one stately house (Hundreds Hall) he used to admire in his childhood. This is the house belonging to the Ayres family, who now find themselves in a pitiful financial and societal position. Dr Faraday tries to help the son of the family Roderick (Will Poulter) with his health issues, and gets close to the daughter of Mrs Ayres (Charlotte Rampling) – Caroline Ayres (Ruth Wilson). However, with his blinding attachment to the house, Dr Faraday does not even guess the horrors which the house apparently holds. The film is not bad. It is stylishly presented and has some intriguing character presentation. However, it is also problematic in a way it tries too awkwardly to tie together a period drama, with one central maladjusted character, and supernatural horror.  Read more of this post

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Q: Movies That Are Too Good for Words or Defy Analysis?

Recently, I have been thinking about the task of writing reviews in general. Most film critics will say that they are objective in their film analysis, but that also made me think about those films which a reviewer may find difficult to review objectively. The reasons may be some emotional attachment to a movie (which may stem from childhood), the fact that a reviewer has seen a particular film too many times (developing a biased liking towards it), or maybe one thinks that a particular film is somehow too brilliant for words and any extra words to describe or analyse it will be futile. For example, one may just want to write one word: “brilliant” or “masterpiece” and then put a full stop. It will be interesting to hear or discuss some examples.   

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