Gloves in Films: Hiding True Character and Desires

audrey-hepburn-breakfast-at-tiffanys-costume-wallpaper-2This will be my 200th post on the blog, and I thought I would do something different. I have always been fascinated with objects and their symbolic meanings in films, and some object-placements in films evoke powerful imagery and are open to different symbolic interpretations. On the face of it, gloves in films do not present a big conundrum: they can be worn for warmth; because of an unspoken societal rule/etiquette; as a result of a fashion trend; in the course of a professional pursuit, such as medicine or sport; or in the course of a crime. However, arguably, gloves may also sometimes have a more symbolic interpretation in a film, and represent a character’s “camouflaged”/hidden true intention or desire, or emphasise a character’s subconscious attempt to distance him(her)self from others, hiding their true character.

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“Drive” Review

Drive (2011)

Directed by Nicolas Winding Refn and starring Ryan Gosling, ‘Drive’ may give the impression of being yet another crime thriller filled with pointless action scenes and meaningless dialogue sequences. However, this first impression is false. Compared to other action movies, ‘Drive’ is like gold itself found on top of some pile of garbage. With an amazing soundtrack, cast, performances, script and, above all, that nostalgic and unforgettable 1980s feel to it, ‘Drive’ is an impressive film, giving off brilliance of some kind of a cult movie, which maybe only be comparable to ‘Taxi Driver’ (1976).

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