First Teaser Trailer: Aronofsky’s “Mother!”

Here’s just a hint of what happens when you turn a top-flight director, “Black Swan” maestro Darren Aronofsky — and two Oscar winners (Jennifer Lawrence, Javier Bardem) loose on the horror genre. Can “Mother!” survive the inevitable build-up of expectations that such potential generates? The first teaser trailer, here, gives us a hint.

via First Teaser trailer — Aronofsky’s horrific “Mother!” — Movie Nation


Aronofsky’s previous film “Noah” (2014) was bearable at best. Here, he may look to revert back to “Black Swan“(2010)-like psychological thriller/horror, but despite the talented cast, I am afraid he could fall short on originality (stranger(s) coming to live in one’s home?), and on intelligence. With films like this, it is important not overthink things, and looking at the film’s title and its poster, it could be nothing but over-stylised mayhem. The film is also set to compete at the forthcoming Venice International Film Festival.

“The Revenant” Review

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The Revenant (2015)

“He would crawl until his body could support a crutch. If he only made three miles a day, so be it. Better to have those three miles behind him than ahead.” (Michael Punke, “The Revenant: A Novel of Revenge”)

In Alejandro González Iñárritu’s latest film “The Revenant”, Leonardo DiCaprio plays Hugh Glass, an American frontiersman involved in an expedition to American wilderness in the year 1823. After a bear attack leaves Glass seriously injured, one of his companions decides to betray him, and among other horrific actions, leaves him behind. What follows is Glass’s unforgettable journey back to the outpost, to find the man who not only left him for dead, but also robbed him of the one dearest to him.

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“Anna Karenina” Review

Anna Karenina (2012)

Sadly, this newest adaptation of Leo Tolstoy’s classic ‘Anna Karenina’ does not even come close to capturing the spirit of the novel, especially in terms of fully conveying the passion and love between, and the ensuing tragedy of, the main characters. Therefore, I will try to review this film having solely in mind the director’s take on the novel, ignoring as much as possible the discrepancies between the novel and the film, otherwise it would be a never-ending task.

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