Luca Guadagnino’s “Suspiria” and Steve McQueen’s “Widows” Trailers

Luca Guadagnino (“Call Me By Your Name” (2017) and “I Am Love” (2009)) is rebooting Dario Argento’s cult classic of the same name, and from the many plot similarities, it can be described as a remake (despite what actors may say). There seem to be both similarities and differences in the presentation: the music hints at the original, but some visuals are innovative. My favourite element here will be Tilda Swinton as Madame Blanc, a clever cast. It will also be interesting to see her character’s antagonistic tension and relationship with the character of Dakota Johnson. My concern is that I hope the film will remain dark and provocative with nice scary jumps, and not become too ridiculous. I am also disappointed with the cast of Johnson. She seems to be good here, but my belief is that someone younger with more remarkable features should have been cast in the lead role. Since it is Luca Guadagnino, a stylish and thought-provoking presentation is guaranteed. The original material is also intriguing, so it promises to be a good film.   Continue reading “Luca Guadagnino’s “Suspiria” and Steve McQueen’s “Widows” Trailers”

“Get Out” Review

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Get Out (2017)

Get Out” is one of the best-reviewed films of this year. It is a debut film of director Jordan Peele, and has a dedicated, up-and-coming cast to match the film’s ambition. In this film, which is part psychological horror and part societal critique, Chris and Rose (Daniel Kaluuya and Allison Williams), an interracial couple, go to visit Rose’s parents upstate. It would be the first time that Chris meets Rose’s parents and he is visibly nervous. Soon upon arriving, Chris is overcome by the atmosphere of unease all around, questioning whether he is really that welcomed in the neighbourhood. Despite elements of brilliance in setting the atmosphere, unfortunately, the film strays half-way through from its initially brilliantly-presented social horror into some mediocre overt-hostility premise, and ultimately leads to a predictable and unimaginative ending.

Continue reading ““Get Out” Review”