“Silence” Review

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Silence (2016)

**SPOILER ALERT**

This is not the sort of film you “like” or “don’t like”. It’s a film that you experience – and then live with” (Matt Zoller Seitz).

…wandering here over the desolate mountains – what an absurd situation!…I knew well, of course, that the greatest sin against God was despair; but the silence of God was something I could not fathom” (Rodrigues [Endo: 90]).

Martin Scorsese’s 28-years’ “passion” project culminated in the film “Silence“, based on the acclaimed novel by Shusaku Endo. The film is about two 17th century Portuguese Catholic priests, Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver) who decide to travel to Japan in search of their former mentor, Father Ferreira (Liam Neeson), who, most believe, betrayed his holy cause in the foreign land. Touching delicate moral and religious issues, the film is powerful both in its vision and in its message, achieving its desired cinematographic goal to awe, thanks to Scorsese’s dedicated and masterful direction, breath-taking cinematography and inspiring original material. Although the plot is uncomplicated and could even be considered “thin”, underneath every action and thought of the main character lies (and could be sensed) a myriad of contradictory emotions; culturally-divisive inner turmoil; and dormant causes for the later spiritual/religious re-awakening. 

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“Oscar and Lucinda” Review

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Oscar and Lucinda (1996)

‘Oscar and Lucinda’ is based on the novel by Peter Carey and tells the story of a young Australian heiress, Lucinda Leplastrier (Cate Blanchett) with the passion for glass and gambling who meets an Anglican priest, Oscar Hopkins (Ralph Fiennes), who has the same obsessions. The two soon strike up a close friendship, because they share the same trait of being quite unfit to live in the society as they know it due to their oddities and gambling compulsions. However, their increasing closeness soon puts to the test their obsession limits. This film directed by Gillian Armstrong (‘Little Women’ (1994)) is almost as odd and unique as its main characters. Rapidly going from comic to romantic, and ending up being tragic, the film covers almost every genre without losing its eccentricity. However, the film’s ‘strangeness’ and unusual style may be attributed to Carey book’s content and style. The book’s narrative is more factual than descriptive, and has many ambiguous paragraphs and references.

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