“The Wife” Review

the wife poster The Wife (2018)

There is a saying that behind every successful man there is a woman, and “The Wife” exemplifies this saying like no other film. More often than not, society concerns itself with appearances, and people often only see what the façade presents – be it in relation to a relationship or a family. What is going on behind closed doors or what people may feel inside may be another matter altogether. “The Wife” is just that thought-provoking film that deals with this and other issues. Based on a novel of the same name by Meg Wolitzer, the movie is about a married couple Joe and Joan Castleman (Jonathan Pryce and Glenn Close) who receive rather exciting news – Joe is to be given a Nobel Prize for Literature. The duo, together with their son David, travel to Stockholm to receive this honour, and while there, both Jo and Joan experience a crisis of faith, and one big secret of their lives comes dangerously close to being unravelled. The film has its faults, but Glenn Close’s performance ensures that the film is sincere and convincing. If the first part of the film is this slightly mysterious story of whether there is something wrong in the happy marriage and the professional lives of Joe and Joan, than the second half is all about unsaid things emerging and letting themselves be known.

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“Avatar” vs. “FernGully: The Last Rainforest” – A Case of Plagiarism?

 

Although there has been a number of comparisons done recently between ‘Avatar’ (2009) and ‘FernGully’ (1992) (also ‘Pocahontas’ (1995) and ‘Dances with Wolves’ (1990)), I, nevertheless, have decided to take my own turn on the topic and ascertain the similarities between the two movies. In this piece, I will provide some evidence that demonstrate that ‘Avatar’ and ‘FernGully’ are so similar – both in plot lines and style (more so than many other films/stories), that, in my opinion, it was nearly impossible (for James Cameron) not to have in mind ‘FernGully’ when writing ‘Avatar’.

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