The Alfred Hitchcock Blogathon: Rope (1948)

338Maddy at Maddy Loves Her Classic Films is hosting The Alfred Hitchcock blogathon, and this is my entry dissecting one of Hitchcock’s most claustrophobic and intriguing films: “Rope” (1948). Even thought this film may not be as ambitious as Hitchcock’s later “Psycho” (1960), it is still suspenseful, tense, cerebral and belongs to one of my favourite cinematic “genres”: “one location” setting films. This “genre” was later used by Lumet (“Twelve Angry Men” (1957)), Polanski (“Repulsion” (1965)) and Mangold (“Identity” (2003)), among others, to a great result. And, this is because in such films what the audience is usually left with is the fascinating psychological “game” among characters of scheming, guessing, suspecting or simply going crazy, without any outside “distractions” being present. Hitchcock’s “Rope” is no different.

Read more of this post

The Swashathon (the Swashbuckler Blogathon): The Man in the Iron Mask (1998)

swashathon-2-princess-brideMovies Silently is hosting the Swashathon or the Swashbuckler Blogathon, and I could not pass this opportunity by to review Randall Wallace’s “The Man In the Iron Mask” (1998). As many of you would know, today is also Bastille Day or la Fête nationale in France, which provides for another excuse to delve into a film portraying France. Here, despite many critics’ allegations that “The Man In the Iron Mask” is laughable, flimsy and disrespects the novel by Alexandre Dumas it is based on, the film is actually an enjoyable ride from start to finish. If the audience does not take this film too seriously, and allow themselves to be carried away by the plot, action and the humour, they are in for a treat. The visuals are delightful, the music composed by Nick Glennie-Smith is great, and the film has a cast many directors would “die for”: Leonardo DiCaprio (Revolutionary Road” (2008)), John Malkovich (“The Portrait of a Lady” (1996)), Jeremy Irons (“The Correspondence” (2016)), Gabriel Byrne (“I, Anna” (2012)) and Gerard Depardieu. 

Read more of this post

The Medicine in the Movies Blogathon: Spellbound (1945)

oie_yqu5svckigzsCharlene at Charlene’s (Mostly) Classic Movie Reviews is hosting this absolutely amazing blogathon – The Medicine in the Movies Blogathon, and this review of Alfred Hitchcock’s “Spellbound” (1945) is part of the race. There are many good movies out there which explore interesting, intricate aspects of medicine: from Wellman’s overblown, but entertaining “Night Nurse” (1931) to Soderbergh’s documentary-like, but fascinating “Contagion” (2011). Psychiatry in films has not been left too behind either. Many films here focused on a mental institution itself, such as “One Flew Over the Cuckoo’s Nest” (1975) and “Girl, Interrupted” (1999), while others touched on various psychiatric issues through their “serial killer” plots, such as Hitchcock’s “Psycho” (1960) and Mangold’s “Identity (2003). But, while these films often explored medical concepts and disorders indirectly, some movies really got to grips with the intricate details of psychiatry by focusing on the issues head on. “Spellbound” is one of them.  

Read more of this post

Celebrating National Classic Movie Day with the Five Stars Blogathon

The 16th of May is National Classic Movie Day, and what better way to celebrate this than to write a post on one’s favourite five classic movie stars. The rules of this blogathon hosted by the Classic Film and TV Cafe is that people list their five favourite classic movie stars and then say why they love them. So, without further ado and in no particular order:     

I. Vivien Leigh (1913 – 1967)

Vivien LeighMy birth sign is Scorpio and they eat themselves up and burn themselves out. I swing between happiness and misery. I am part prude and part nonconformist. I say what I think and I don’t pretend, and I am prepared to accept the consequences of my actions.” (Vivien Leigh)

I will talk about three November-born ladies, and my first one is Vivien Leigh, who had a rich life story. She was born in British India, but when her parents left for England, found herself at a British boarding school. From there, she was determined to succeed as an actress, and even set aside her married life with a lawyer to pursue theatre work. She later married no other than Laurence Olivier, with the two sharing a passionate love and mutual professional admiration. Her breakthrough came when she was cast as Scarlett O’Hara in the famous adaptation of Margaret Mitchell novel of the same name “Gone with the Wind” (1939) alongside Clark Gable, for which she won her first Oscar. There, she proved to be a great actress indeed: controlled, magnetic, capable of showing every possible façade of a personality, from cunning aloofness to extreme passion. Vivien Leigh really was Scarlett O’Hara, strong-willed, determined, intelligent, passionate, magnetic and beautiful. She was a femme fatale, both on screen and in life, but without any negative connotations, admired for her irresistible charm and acting skill. She was later also cast in such films as “A Streetcar Named Desire” (1951) alongside Marlon Brando, for which she won her second Oscar, “That Hamilton Woman(1941), “Caesar and Cleopatra” (1945) and “Anna Karenina” (1948).

Read more of this post

The Jack Lemmon Blogathon: Days of Wine and Roses (1962)

lemmontoc

Critica Retro and Wide Screen World are hosting the Jack Lemmon blogathon, and I thought I would jump in and contribute since Jack Lemmon was such a great actor, and I particularly admire his versatility and dedication to the screen. He was cast in such well-known films as “Some Like It Hot” (1959) and “The Apartment” (1960), but I thought I would talk about the more controversial and serious “Days of Wine and Roses” (1962). I would also like to thank Paul at Paul’s Cinema & TV Reviews for recommending that I watch this film after my previous review of similar-themed “The Lost Weekend” (1945). 

Days of Wine and Roses (1962)

upgkztid“They are not long, the weeping and the laughter,
Love and desire and hate;
I think they have no portion in us after
We pass the gate.
They are not long, the days of wine and roses,
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.” (Ernest Dowson)

The film’s title was taken from this poem by Ernest Dowson, and the film’s story is about Joe Clay (Jack Lemmon), a public-relations man who does not mind to indulge in drinking as part of his job arranging and going to parties. When he meets beautiful Kirsten Arnasen (Lee Remick), both become smitten with each other, and Joe soon introduces Kirsten to the pleasures of drinking by pouring a crème de cocoa in her brandy. After their marriage, however, the pair’s slide into booze-madness gets steeper, and their drinking intensifies, until both of them do not see any way out.
Read more of this post

The Past Due Book Review

Where I review books that aren't new.

Marshall and the Movies

"[Bloggers] like you have greatly improved my outlook." - Roger Ebert

Diary of an Aesthete

A Spiritual and Artistic Pilgrimage Around the Globe

Superfluous Film Commentary

i like movies. i like to write. i like to write about movies.

Poesie visuelle/Visual Poetry

Un blog experimental voue a la poesie du quotidien sous toutes ses formes/An experimental blog devoted to poetry in all its forms

Rogues & Vagabonds

theatre, film & tv past and present 2001-2008 & 2013...

Capital Nerd

Connecting ideas and people – How books can change our lives

First Night Design

Art, Design, Theatre, Literature, History, Food, Laughter ...

The Movie Rat

Bernardo Villela is like a mallrat except at the movies. He is a writer, director, editor and film enthusiast who seeks to continue to explore and learn about cinema, chronicle the journey and share his findings.