The Florida Project (2017)
Sean Baker, director of “Tangerine” (2015), has produced something special – a powerful, unforgettable film about the innocence, joys, freedoms and wonders of childhood played out in the context of social and economic exclusion in Florida, US. “The Florida Project” has been very unjustly ignored by the Academy in the forthcoming Best Picture Oscar race, an omission which is incomprehensible. “The Florida Project” is about a little girl Moonee (Brooklynn Prince) who lives with her young mother Halley (Bria Vinaite) in a simple motel with a big name “The Magic Castle” overshadowed by a large Disney resort. Moonee goes on happily with her daily activities full of wonder and mischief, barely registering the true hardship and deprivation which stalk economically-disadvantaged in the area.
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Yesterday was the last day of the BFI London Film Festival 2017, which ran between 4-15 October 2017, and I thought I would comment on the Best Film Award winner, on some other nominees, as well as on some of the films that took part in various special galas. The films of the Festival reflected today’s global challenges, while also emphasising various nations’ peculiar traditions and highlighting truly personal stories behind broader themes.
I. Official Competition – Best Film Award:
Winner – “Loveless“ (Andrey Zvyagintsev)
Coming from Andrey Zvyagintsev, the man behind such critically-acclaimed films as “Leviathan” (2014) and “The Return” (2003), “Loveless” is another well-made film about a couple who lose their son during difficult time of divorce. “Loveless” has already made commotion (in a very positive sense) at the Cannes Film Festival, and all points to a drama which as emotionally devastating as it is thought-provoking.
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