“Personal Shopper” Mini-Review

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Personal Shopper (2016)

In “Personal Shopper”, a film of Olivier Assayas (“Paris, je t’aime” (2006)), Kristen Stewart plays a young woman Maureen who mourns the loss of her twin brother Lewis. Maureen visits the house where Lewis lived with his girlfriend, and believes that his ghost will try to communicate with her. In her daily job, Maureen is a personal shopper to a rich and famous star in Paris, a job she dislikes and only too keen to break the “rules” of her employment now and then. Soon her personal identity issues mix with her paranormal beliefs, producing restlessness and paranoia. Although admirable in its fresh approach, the film is also unfocused and dull. It tries at least three different points of focus: a ghost story; a murder mystery; and a high-society critique, all of which are underdeveloped and none of which work to a satisfactory conclusion.

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“The Lost Weekend” Review

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The Lost Weekend (1945)

“One drink’s too many, and a hundred’s not enough.”

The Lost Weekend” is a 1945 film directed by Billy Wilder, and telling a story of a failed writer Don Birnam (Ray Milland) who struggles to combat his chronic alcohol addiction in the course of a weekend. The winner of an Academy Award in the categories of Best Picture, Best Director, Best Actor and Best Adapted Screenplay, “The Lost Weekend” is now deemed so significant both culturally and historically, it has been recently added in that category to the National Film Registry of the Library of Congress. Indeed, more than 70 years after its initial release, the movie still mesmerises the audience with its performances, and paints probably the most heartfelt and realistic picture of someone combating their alcohol addiction.  Read more of this post

“Paradise” Trailer

The Academy Awards 2016

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I won’t title this blog “The Academy Awards 2016: Controversial, Emotional & Predictable”, although I want too. What have we had so far? Protests regarding the representation of black people and women nominated[1], and nominated actors who you can so safely bet on winning – the chances that they won’t is like forgetting your own name. Diversity & Competition or rather a lack thereof. Here, I will only comment on the Best Picture, Best Animated Film, and Best Actor and Actress categories.

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“The Revenant” Review

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The Revenant (2015)

“He would crawl until his body could support a crutch. If he only made three miles a day, so be it. Better to have those three miles behind him than ahead.” (Michael Punke, “The Revenant: A Novel of Revenge”)

In Alejandro González Iñárritu’s latest film “The Revenant”, Leonardo DiCaprio plays Hugh Glass, an American frontiersman involved in an expedition to American wilderness in the year 1823. After a bear attack leaves Glass seriously injured, one of his companions decides to betray him, and among other horrific actions, leaves him behind. What follows is Glass’s unforgettable journey back to the outpost, to find the man who not only left him for dead, but also robbed him of the one dearest to him.

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“The Departed” Review

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The Departed (2006)

              ‘When I was your age they would say we can become cops, or criminals. Today, what I’m saying to you is this: when you’re facing a loaded gun, what’s the difference?’ (Frank Costello) 

Martin Scorsese’s crime thriller ‘The Departed’, winner of an Academy Award for Best Picture in 2006, is considered to be the director’s finest take on the mob theme since ‘Goodfellas’ (1990) (intermittently he also directed ‘Casino’ (1995) and ‘Gangs of New York’ (2002)). With many great actors involved in this movie, and with such a meticulously constructed script, this is no wonder. ‘The Departed’ is set in the south of Boston during the time when the police wages their war against the Irish-American criminal syndicate. The film starts off with young Colin Sullivan (Matt Damon) befriending the untouchable lord of crime, Frank Costello (Jack Nicholson). Years later, there emerge two cops: one – Colin Sullivan, only too ready to infiltrate the state police as an informer for Frank Costello, and another Billy Costigan (Leonardo DiCaprio), a guy who grew up in a criminal environment, who becomes a gang member working for Costello, while at the same time working as a undercover cop. When both the state police and the mob begin to suspect that there is an informer within their circle working for the other side, both Sullivan and Costigan must race against time to uncover the identity of another to save their lives.

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