The Oscars have again surprised the world, and, this time, thankfully, not because they gave an award to the wrong film. Parasite, a South Korean movie, has officially become the first foreign-language film to win the most prestigious award – Best Picture, a fact that is especially remarkable given that it was also nominated in the Best Foreign Language Film category and won there too. The Oscars have also been overly “white” this year, did not recognise some (more art-house) films and acting which are also deserving of praise and nominations (that acting in “The Lighthouse“!), and, for the year that is supposed to celebrate women in cinema-making and acting, did not acknowledge great acting and films made by women (for example, no women nominees in the category of Best Director). I will only very briefly comment on the 2020 wins in the following categories: Best Picture, Best Actor, Best Actor in the Supporting Role and Best Cinematography. Continue reading “The Academy Awards 2020: Some Commentary”
Directed by Todd Phillips (The Hangover (2011)), Joker is a latest, much-hyped movie starring Joaquin Phoenix (The Master (2012)) in the titular role of Arthur Fleck or Joker, a stand-up comedian fallen on hard times, who resorts to violence in Gotham City to avenge wrongs allegedly committed against him. Being supported by no other than Robert De Niro (a role reversal from The King of Comedy (1983)), Joaquin Phoenix gives the performance in Joker than can only be described as manically jaw-dropping in its brilliance. The character insight and portrayal are also bold, vivid, without holding anything back, as the film tries to explore the origins of Arthur’s homicidal tendencies through his early history and its revelations. However, unfortunately, if we then shift our attention to anything that is not Phoenix or the character study, we can see a number of problems in the film, including the inability to suspend disbelief regarding major plot developments, the sheer predictability of the plot, and the imbalance in the spotlight given to the minor characters vis-a-vis the main one. Joker is a kind of a film that is made up solely out of one character study and cannot show anything for itself apart from its character study and the brilliant performance. If Joaquin Phoenix is not there, there is no film (thankfully, Phoenix is virtually in every shot). Why should that be a problem? Building a film around a character study is one thing, but having a “film” that is nothing but a very “self-important” character study is something completely different (because, in this case, the film seems more like a shameful star-vehicle). There is no Joker, without the Joker, it is true, but when there is nothing but Joker and everything else (not much) in the film is either very awkward, very predictable, very questionable or very puzzling, then there is simply no great film. Continue reading ““Joker” Review”
- Call Me By Your Name
- Darkest Hour
- Get Out
- Lady Bird
- Phantom Thread
- The Post
- The Shape of Water
- Three Billboards Outside Ebbing, Missouri
My favourite to win: The Shape of Water
It is a bit of a surprise that “Phantom Thread” as well as “Get Out” made this list. “Get Out” is a horror (not the Academy Awards’ favourite genre), which was released a bit less than one year ago. Even though it is good to see the Academy nominating such a dark-horse, the amazement is still there. For all its unforgettably tense psychological atmosphere, “Get Out” is still a flawed film (see my review here), and one may wonder whether, as with “Moonlight” the year before, there were not some “race politics” involved in this decision as well. On the other hand, such a great film as “The Florida Project” is nowhere to be seen here, which is astounding. I guess the Academy thought that by nominating “Call Me By Your Name”, they would be done with it when it comes to paying their dues and nominating aesthetically-pleasing, independent-spirited films. The limit is ten nominees per category, and, surely, “The Florida Project” deserves its tenth place on this list. Continue reading “Academy Award Nominations 2018: Some Commentary”
Today, the Academy announced its 2017 Awards’ nominations. Many nominations were predictable, e.g., “La La Land”, while some omissions/inclusions were surprising. Here, I will briefly comment on 7 categories: (1) Best Picture; (2) Best Actress; (3) Best Actor; (4) Best Animation; (5) Best Foreign Language Film; (6) Best Documentary; and (7) Best Original Song.
- Best Picture
- Hacksaw Ridge
- Hell or High Water
- Hidden Figures
- La La Land
- Manchester by the Sea
In my review of “La La Land”, I said how the movie was a perfect Academy Awards material, celebrating what is, in fact, Hollywood, well…even the Academy Awards itself. So, it is no surprise to see so many (14!) nominations for the movie. That is, of course, on top of the fact that “La La Land” is an excellent movie in its own right. “Manchester by the Sea” and “Moonlight” are predictable nominations, but, I think, that “Lion” was nominated on the strength of its story, rather than on the quality of the film per se. Going through the list I did not expect to see there “Nocturnal Animals”, and it was not included, but I think the movie was unjustly bypassed in some other categories, such as the Best Actor/Director/Score categories.
The Lost Weekend (1945)
“One drink’s too many, and a hundred’s not enough.”
“The Lost Weekend” is a 1945 film directed by Billy Wilder, and telling a story of a failed writer Don Birnam (Ray Milland) who struggles to combat his chronic alcohol addiction in the course of a weekend. The winner of an Academy Award in the categories of Best Picture, Best Director, Best Actor and Best Adapted Screenplay, “The Lost Weekend” is now deemed so significant both culturally and historically, it has been recently added in that category to the National Film Registry of the Library of Congress. Indeed, more than 70 years after its initial release, the movie still mesmerises the audience with its performances, and paints probably the most heartfelt and realistic picture of someone combating their alcohol addiction. Continue reading ““The Lost Weekend” Review”
I won’t title this blog “The Academy Awards 2016: Controversial, Emotional & Predictable”, although I want too. What have we had so far? Protests regarding the representation of black people and women nominated, and nominated actors who you can so safely bet on winning – the chances that they won’t is like forgetting your own name. Diversity & Competition or rather a lack thereof. Here, I will only comment on the Best Picture, Best Animated Film, and Best Actor and Actress categories.
The “Best Picture” nominees:
1. The Artist
2. The Descendants
4. The Help
6. Midnight in Paris
8. The Tree of Life
9. War Horse
I predict ‘The Artist’ to win the Academy Award in the “Best Picture” category this year. The least likely “Best Picture” winners are clearly “Extremely Loud & Incredibly Close” and ‘Moneyball’.