“Little Joe” Review

little joe posterLittle Joe (2019)

Little Joe is a British/Austrian/German-produced film that was selected to compete at the Cannes Film Festival 2019. In this story, Alice Woodard (Emily Beecham) works at a special laboratory that produces genetically-modified flowers for the public market. Alice and her team have managed to produce one type of a plant that requires much attention from their owners, but, in return, is alleged to “make them happy”. The story takes a disturbing turn when Alice takes one of those new plants (flowers) home, gifts it to her son, Joe, and begins to worry that the pollen that the new flower produces may be infecting people in a sinister way. Probably. If that sounds a bit random and confusing, it is because it is, and the film never makes anything in this story compelling or clearer. Though, at first, the idea behind Little Joe sounds intriguing and the memorable production design does leave an impression, overall, Little Joe is nothing more than a very preposterous, excruciatingly dull and badly-acted picture that, in comparison, will make any episode of a British series EastEnders an immediate Oscar winner.  Continue reading ““Little Joe” Review”

“The Lobster” Review

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The Lobster (2015)

This is just to show how easy life is when there is two of something rather than one”, says the Hotel Manager in “The Lobster”, as one of the protagonist’s hands is restrained using a small lock. This is pretty much what this movie is all about: a near-future society obsessed with couples; viewing couples as the normality, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and, if they fail, they would be transformed into animals of their choice.

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