The Little Stranger (2018)
The film adaptation of Sarah Waters’ novel “The Little Stranger” had some bad public reviews, and, therefore, I was curious to see it. In the story, Dr Faraday (Domhnall Gleeson) reacquaints himself with one stately house (Hundreds Hall) he used to admire in his childhood. This is the house belonging to the Ayres family, who now find themselves in a pitiful financial and societal position. Dr Faraday tries to help the son of the family Roderick (Will Poulter) with his health issues, and gets close to the daughter of Mrs Ayres (Charlotte Rampling) – Caroline Ayres (Ruth Wilson). However, with his blinding attachment to the house, Dr Faraday does not even guess the horrors which the house apparently holds. The film is not bad. It is stylishly presented and has some intriguing character presentation. However, it is also problematic in a way it tries too awkwardly to tie together a period drama, with one central maladjusted character, and supernatural horror. Continue reading ““The Little Stranger” Review”
Paul at Pfeiffer Pfilms and Meg Movies hosted The Meg Ryan Birthday Blogathon to celebrate the birthday of Meg Ryan, and this is my belated post containing some thoughts on “Prelude to a Kiss” (1992). I love so many Meg Ryan films, including her “feel-good” romantic comedies “You’ve Got Mail” (1998) and “Sleepless in Seattle” (1993), and her more “serious” movies, such as “When a Man Loves a Woman” (1994) and “In The Cut” (2003).
Prelude to a Kiss (1992)
“…Must have been my kiss(es), all I can think, drives men wild…” (Rita/Julius).
The movie is based on the 1988 play of the same name by Craig Lucas, and, although most plays-to-films do not agree with me, for example, see “Marjorie Prime“ (2017) and “Carnage” (2011), this movie seems to work, maybe because it does not have this feeling of being contained in one location. The story may appear absurd, but it is actually quite entertaining and amusing. Rita (Ryan) and Peter (Baldwin) meet at a party and instantly establish a connection. After some lovely courting (which takes the movie some 40 minutes to get right), the couple move on with their wedding, and, from then on, its a roller-coaster of delights and sorrows. During the wedding, Rita somehow manages to swap her body with that of an old grumpy man through a kiss, and Peter, noticing that something is wrong with his new wife, sets on the course to put things right. And, Rita really does not seem like the old Rita to her husband at all. If before she could not get enough sleep, now she sleeps like a baby, and, if before she drank alcohol (she worked as a barmaid), now she does not even want to try a cocktail in Jamaica. Continue reading “The Meg Ryan Birthday Blogathon: Prelude to a Kiss (1992)”
The Ballad of the Salt Sea (2002)
“He’s dreaming with his eyes open, and those that dream with their eyes open are dangerous, for they do not know when their dreams come to an end” (Hugo Pratt, taking inspiration from the famous quote by T.E. Lawrence).
“When I want to relax, I read an essay by Engels. When I want something more serious to read, I read Corto Maltese” (Umberto Eco).
“La Ballade de la mer salée” or “The Ballad of the Salt Sea” (2002) is a French-language TV animation based on the Italian comics of the adventures of Corto Maltese by Hugo Pratt. Corto Maltese is a mysterious and freedom-loving adventurer and sailor who travels the world in search of excitement and fortune, and is found in the early twentieth century in such places as Southern Europe, Arabia, Africa and Russia. In “The Ballad of the Salt Sea”, Corto is found sailing in the Pacific Ocean, and is in the midst of a shady deal with Rasputin, a psychopathic pirate and a Siberian army escapee, and with a man simply called the Monk, while the World War I is about to officially begin and the ocean is full of military ships.
Continue reading “Corto Maltese: The Ballad of the Salt Sea (2002)”