120 BPM (Beats Per Minute) (2017)
This French-language film about ACT UP-Paris’s activities to promote AIDS-related issues in the early 1990s is defined by Robin Campillo (director)’s personal experience, which makes the movie somehow even more potent, significant and poignant. At the centre of the story is the ACT UP-Paris organisation itself, a non-violent activist group based in Paris, which tries to defend the rights of those (especially minorities) affected by HIV and AIDS, and to seek better treatment for them. The film boasts great performances from Arnaud Valois (Nathan), Nahuel Perez Biscayart (Sean) and Adele Haenel (“The Unknown Girl” (2016) as Sophie, but it is probably the sheer power of its main message which is the most fascinating and memorable of its assets. An important movie to have been made in many ways, “120 BPM” unfortunately also suffers from excessive length and the inability to successfully shuffle organisational and personal issues in the story in its second half.
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Yesterday was the last day of the BFI London Film Festival 2017, which ran between 4-15 October 2017, and I thought I would comment on the Best Film Award winner, on some other nominees, as well as on some of the films that took part in various special galas. The films of the Festival reflected today’s global challenges, while also emphasising various nations’ peculiar traditions and highlighting truly personal stories behind broader themes.
I. Official Competition – Best Film Award:
Winner – “Loveless“ (Andrey Zvyagintsev)
Coming from Andrey Zvyagintsev, the man behind such critically-acclaimed films as “Leviathan” (2014) and “The Return” (2003), “Loveless” is another well-made film about a couple who lose their son during difficult time of divorce. “Loveless” has already made commotion (in a very positive sense) at the Cannes Film Festival, and all points to a drama which as emotionally devastating as it is thought-provoking.
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