Thank you: 1000 Followers Reached!

Thank You PictureI have been informed that I have reached an incredible number of 1000 followers on this blog. I would like to express my sincere thanks to all my followers who have been so committed to following my posts over the weeks, months and even years (even despite of the fact that I am far from being consistent with my posts’ frequency). I appreciate very much that you are reading, liking and commenting on my posts. Perhaps, you have a favourite category of posts or would like me to cover any particular topic or film? Any comments or suggestions welcome. A huge thank you, again!  

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Q: Movies That Are Too Good for Words or Defy Analysis?

Recently, I have been thinking about the task of writing reviews in general. Most film critics will say that they are objective in their film analysis, but that also made me think about those films which a reviewer may find difficult to review objectively. The reasons may be some emotional attachment to a movie (which may stem from childhood), the fact that a reviewer has seen a particular film too many times (developing a biased liking towards it), or maybe one thinks that a particular film is somehow too brilliant for words and any extra words to describe or analyse it will be futile. For example, one may just want to write one word: “brilliant” or “masterpiece” and then put a full stop. It will be interesting to hear or discuss some examples.   

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Unpopular Opinion Tag (Films) II

Last year, in August, I posted a similar post – Unpopular Opinion Tag (Films), where I talked about three movies that people generally love, but I hated. Now, it is time to do a “reversal” post. Here, I will be talking about three movies that people or critics do not like much, but I actually thought there was merit in them or things to love. I am choosing to write about Premonition (2007), Sleeping with the Enemy (1991) and Joseph: King of Dreams (2000). Be warned, there may be some spoilers ahead.  

premonition-posterI. Premonition (2007)

IMDb score: 5.9; Rotten Tomatoes score: 8%. 

In 2007, Mennan Yapo shot this film starring Sandra Bullock, and, in my opinion, it does not deserve to be so unknown or all the negative reviews. The film is actually fascinating. It relies on a twisted Groundhog Day/”Deja Vu” (2006) concept to tell the story of Linda (Bullock), a wife and a mother, who finds her world turned upside down when she wakes up one day to learn that her husband is dead and another day – to find out that he is still alive. The truth is that her week days do not follow the natural timeline, but are randomly emerging, and Linda has to find out how her new reality works exactly to possibly save her husband from a deadly car collision. The film is clever (in a way it is a brain-teaser), and it is very interesting to follow Linda on her journey. The film makes you want to pay attention to small details to find out how they may change the next day. The film may lack some fundamental logic and, definitely, plausibility, especially towards the end, but it is so atmospheric, many of its other faults could also be forgiven. It is atmospheric in a way every scene is filled with the feeling that something macabre or threatening is lurking in the background (some unseen force), meddling with the natural clock, and music and the involvement of children make the picture even eerier and more effective. Couple this with the exploration of the issues of sanity and grief, and a few nice jumps, and the result is strangely compelling. It may not be this great thriller, but it is good enough for repeated viewings and Bullock does a good enough job. 

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“The Handmaid’s Tale” Series Review

Handmaid's Tale Poster The Handmaid’s Tale (2017) 

“There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don’t underrate it.” (Atwood, 1985:34) 

Humanity is so adaptable, my mother would say. Truly amazing what people can get used to as long as there are a few compensations.” (Atwood, 1985:283) 

The 2017 dystopian web TV series is based on an award -winning novel of the same name written by Margaret Atwood in 1985. It is about a young woman, Offred, who recounts her time living under the totalitarian regime of Gilead, where women have few rights and their main function is to reproduce in a controlled environment. Pronounced “a TV sensation” overnight, “The Handmaid’s Tale” had 10 episodes (although there is still Season II to come!), and starred such recognisable names as Elisabeth Moss (“The Square” (2017)) and Joseph Fiennes (“Shakespeare in Love” (1998)). I will review the series paying special attention to its faithfulness to the original novel and to the philosophical ideas behind the story.       

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Lost in Translation: Film Titles Gone Astray

Movie titles are important for marketing, and the correct translation of a movie title, taking into account cultural sensitivity, contributes to making that movie a success. It is more surprising, therefore, that some English-language titles are being translated in such a way that leads to all sorts of problems, and at best, may sound very funny and cause confusion. Below, I will present some of those titles, focusing on those titles translated for the benefit of Russian, French and Spanish-speaking audiences.  

Russian Silver Lining Poster

  1. Silver Linings Playbook – Russian Translation: Мой парень – псих – literal meaning: My boyfriend – a loony. 

This has to be one of the most ridiculous title translations. There is nothing subtle about the Russian title of this film, and the title suggests a cheap comedy flick, rather than a more sophisticated movie which is refreshing, layered and solidly acted.

    2. Limitless – Russian Translation: Области тьмы – literal meaning: Zones of darkness.

Not much thought was spent considering this title translation. “The Dark Fields“, the US film’s working title and the original title of the book the film is based upon, was translated, but it still did not make a lot of sense. The title emphasis should have been on the super-powers of the hero, but, instead, the title suggests this is either some UFO-abduction or a mysterious crop circles’ story.  

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Plagiarism claim: Jean-Pierre Jeunet accused Guillermo del Toro of copying his scene from “Delicatessen” and his concept from “Amelie” for film “The Shape of Water”

**SPOILER ALERT FOR THE FILM “THE SHAPE OF WATER”**

A number of newspapers and news sources (such as IndieWire, DailyMail) reported that French director Jean-Pierre Jeunet accused Guillermo del Toro of copying one of his scenes from his movie “Delicatessen” (1991) for del Toro’s latest film “The Shape of Water“. Moreover, Jeunet accused del Toro of copying the character of Amelie from “Amelie” (2001) for “The Shape of Water“. In particular, there is a scene in Jeunet’s movie “Delicatessen” where Louison (Pinon) and Plusse (Viard) appear “dancing” to music while sitting on a bed. In “The Shape of Water“, the characters played by Hawkins and Jenkins also perform a step-dance while sitting on a sofa. As for “Amelie“, the French director claims that the concepts of a shy and naive girl, a painter and an apartment were lifted off straight from “Amelie” to make “The Shape of Water“. The Mexican director defended himself by saying that it was Terry Gilliam who influenced both Jeunet and himself. 

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50 Questions to Get to Know Me Better

Rob at movierob and Abbi at abbiosbiston have posted entries: “50 Questions to Get to Know Me Better”, and I have decided to follow suit since it looks fun and I am always ready for that kind of a challenge (and, maybe also because I have decided to do something different since tomorrow my blog is 6 years old (not a baby anymore)). Whoever else would like to take up the challenge, I am sure is welcome too! 

What’s your favourite movie?

The English Patient” (1996): emotionally powerful, beautifully crafted film.

Favourite movie in the past five years? 

A very tough question. I probably enjoyed the animation “Your Name” (2016) the most.

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