Studio Ghibli: “Only Yesterday” (1991) and “Kiki’s Delivery Service” (1989)

“…What drives animation is the will of the characters” (Hayao Miyazaki).

Only Yesterday” and “Kiki’s Delivery Service” are two completely different in plot animations, but both were produced about the same time by famous Japanese Studio Ghibli, an animation film studio known worldwide for the quality of their animations. While “Only Yesterday” focuses on grown-up concerns and largely targets teenager/adult audience, “Kiki’s Delivery Service” is a completely child-friendly movie, which also has important messages to deliver.

OYpostOnly Yesterday (1991)

Only Yesterday” has a plot filled with highly emotional undercurrents and intelligence: a 27 years old unmarried woman, Taeko, from Tokyo, visits countryside while reminiscing over her childhood of when she was a shy and creative fifth grader at school. Through her nostalgia, we get to learn about many situations which have had the biggest impact on her up until her present life, and get to understand her past choices, hopes and regrets. Directed by Isao Takahata (“The Tale of the Princess Kaguya” (2013) and “Grave of the Fireflies” (1988)), “Only Yesterday” is a beautiful animation which touches upon such often overlooked in films/animations topics as the “grip” of persistent childhood memories and their traumatic or positive impact on one’s later life and development, the benefit of re-discovering of oneself in a different setting, the importance of staying true to oneself no matter the circumstances, and the imperative of letting go and forgiving “one’s former self”, as well as people from one’s past, to be able to carry on and lead a happy, fulfilled life.  Read more of this post

The Ultimate 90s Blogathon: Batman Returns (1992)

banner

Kim at Tranquil Dreams and Drew at Drew’s Movie Reviews are hosting this great blogathon titled “Ultimate 90s”, and I have decided to write an entry on Tim Burton’s “Batman Returns” (1992). It will be fair to say that I was practically brought-up on this film and, in many ways, this film reflects my understanding and experience of the 90s decade. Check out my review on Kim’s blogathon page or read it below!

batman_returns_poster2Batman Returns (1992)

Three years after directing “Batman” (1989), Tim Burton came up with yet another Batman film “Batman Returns”. Visually stunning and well thought-out, the film is about the rise to power of Oswald Cobblepot/Penguin (Danny DeVito), who has been hidden away and shunned by society for 33 years in the city of Gotham. In his quest to become the mayor of Gotham, Penguin is unwillingly helped by a dishonest businessman Max Shreck (Christopher Walken) as the Penguin’s freaky followers intermittently wreck havoc on Gotham to discredit the present mayor and eventually make it look like the Penguin is fighting crime. Meanwhile, Shreck’s shy secretary, Selina Kyle (Michelle Pfeiffer), finds out too much about Shreck’s illegal activities, causing Shreck to try to get rid of her, and the result of his efforts is Selina’s transformation into a Catwoman. Bruce Wayne/Batman (Michael Keaton) is also not indifferent to the crimes orchestrated by the Penguin and is determined to stop the Penguin and his gang while having a love-hate relationship with Selina/Catwoman.  Read more of this post

“Indignation” Review

indignation-poster

Indignation (2016)

 “Indignation” is a directional debut of a screen-writer and producer James Schamus, known for adapting the script of “Crouching Tiger, Hidden Dragon” (2000) and being the producer of “Brokeback Mountain” (2005). Adapting the book by Philip Roth, in “Indignation”, Schamus presents the life of Marcus Messner (Logan Lerman), a bright lad who, while working as a butcher in his father’s store in New Jersey, receives a prestigious scholarship to attend a college in Ohio. What follows is the depiction of Marcus’s troubles of fitting into his new college environment as he simultaneously tries to deal with his socially-unacceptable abhorrence for organised religion and with the confusion of his sexual-awakening. Schamus’s film is a particular kind of a film which is heart-breaking in individual scenes and bitter-sweet in its overall presentation, and the director manages to convey the story masterfully, paying particular attention to the character presentation and dialogue.

Read more of this post

“The Handmaiden” Review

the-handmaiden-poster

The Handmaiden (2016)

The Handmaiden” is an award-winning erotic psychological drama directed by Park Chan-wook (“Oldboy” (2003), “Stoker” (2013)). Based on/inspired by the novel “Fingersmith” (2002) by Sarah Waters, the film centres on a young maid, Sook-Hee, who arrives to the estate of an affluent book-lover, Kouzuki, to be a servant to his niece Lady Hideko. However, nothing is as it seems, because Sook-Hee’s main employer is actually a conman, self-named Count Fujiwara, who made a deal with the young maid to con Lady Hideko out of her inheritance. Fiercely intelligent and provoking, “The Handmaiden” does three things brilliantly: it toys cleverly with its audience’s imagination, and challenges its formed beliefs and visual interpretations; touches a sensitive nerve with its poetic and erotic imaginary; and provides a stunning cinematic experience.

Read more of this post

Hitchcock’s “Rebecca” Review

rebecca_ver4

 **SPOILER ALERT** 

Rebecca (1940)

“…I suppose sooner or later in the life of everyone comes a moment of trial. We all of us have our particular devil who rides us and torments us, and we must give battle in the end” (Daphne Du Maurier “Rebecca” (1938)). 

Directed by Alfred Hitchcock, “Rebecca” is adapted from the best-selling novel by Dalphne Du Maurier, and tells of a mysterious widower, Maxim de Winter (Laurence Olivier), the owner of a grand estate Manderley, who stumbles across a shy and awkward young girl (Joan Fontaine) while on a trip in Monte Carlo. De Winter hurriedly marries our heroine, but upon the arrival to his estate, the new Mrs de Winter feels like a trespasser. She realises that every corner of the house is permeated by the spirit of Maxim’s beautiful, charming and intelligent previous wife, Rebecca, and senses that her husband still re-lives the happy moments that he had with his former wife. 

Read more of this post

“La La Land” Review

la-la-land-poster

La La Land (2016)

Universally acclaimed, “La La Land” is the kind of a film which could melt the most cynical and toughest of critics. As romantic as it is visually stunning, the main charm of the film lies in its simplicity: a guy, Sebastian (Ryan Gosling), and a girl, Mia (Emma Stone) both dream of a professional success in Hollywood, and first find true happiness in each others’ arms, before the practical realities of their chosen “star” professions separate them. With an uncomplicated plot and an absolutely stunning soundtrack, “La La Land” has all the appeal of an old musical, while keeping things interesting and original with notes of modern music, the showcasing of modern technologies and with the demonstrations of a competitive side of today’s Hollywood business. In “La La Land”, Damien Chazelle (director) shows that, in 21st century, you can still not only make a financially successful old-school musical-comedy film, but also produce a real gem of a movie capable of leaving the audience breathless with its heart strings’ pulling and sheer inventiveness. 

Read more of this post

“Elle” Review

elle-2016-poster-2

Elle (2016)

**SPOILER ALERT**

A Dutch director known for “Basic Instinct” (1992) and “Total Recall” (1990), Paul Verhoeven, has produced his first French-language film to date – “Elle”, based on a novel by Philippe Dijan (also known as the writer of “Betty Blue” (1986)). “Elle” has already competed for a Palme d’Or at the Cannes Film Festival 2016, and deals with a very sensitive topic of a rape perpetuated on a successful businesswoman Michele Leblanc, whose complex relationship with her family and the deeply-seated psychological trauma experienced during childhood, lead her to have an unconventional response to the attack. This film is as disturbing as it is engrossing, and, overall, proves to be a very satisfying experience, thanks to an outstanding performance by Isabelle Huppert (“The Piano Teacher” (2001)), and due to a masterful (though also confusing) mix of a psychological thriller, a Hitchcockian detective story and French black humour.        

Read more of this post

ming movie reviews

in about 100 words or less

Film and TV 101

with Kira Comerford

The Movie Nerd Strikes Back

Impressive. Most impressive.

The Immortal Jukebox

A Blog about Music and Popular Culture

Reel Infatuation

Reel Stars*Reel Crushes

Raistlin0903

Michels Book/Boardgame/Movie review Blog

CineSocialUK

Up to the minute, fair, balanced, informed film reviews.