“Una” Mini-Review

Una-Rooney-Mara-Poster

Una (2017) 

There are some films which touch very sensitive topics, and most of the time it may be advisable to avoid such films. But, there comes a film which deals with a hard-to-digest-topic so unassumingly, the viewers will hardly notice that what they are seeing is something quite shocking. “Una” is one of these films, telling the story of Una, now a grown-up woman who recalls her past sexual relationship with a much older man when she was just thirteen. Directed by Benedict Andrews and starring Rooney Mara and Ben Mendelsohn in the lead roles, this film, which is based on a theatrical play “Blackbird“, is an interesting account of a twisted relationship and “damaged” personalities. Beyond its uncomfortable subject matter, the film also offers a well-thought-out, even if “minimalist” plot, interesting cinematography and mesmerising performances.  

Read more of this post

Advertisements

“The Discovery” Review

The Discovery Poster

The Discovery (2017)

The Discovery” is a film which had its first premiere at the Sundance Film Festival 2017, but, arguably, it deserves more attention than it eventually got. Here, Will (Jason Segel) and Isla (Rooney Mara) meet in the strangest of times. It has been scientifically proven that the afterlife does exist, and this fact alone spiralled millions of suicides around the world, with people almost desperate to “get to the other side”. The scientist Thomas Harbor (Robert Redford) is behind the new discovery, and he has another trick up his sleeve: he thinks he can also show what the afterlife looks like before people take their lives. After all, who would not want to look at a holiday brochure before committing to their holiday destination? Although the film’s narrative slops and the chemistry between Segel and Mara is lukewarm, the film is atmospheric, raises some fascinating issues, and has a strong ending.

Read more of this post

“The Odyssey” Review

the odyssey posterThe Odyssey (2016)

No, no, no, you did not understand, no…I am not making animal documentaries. I am going to tell the story of men who are going to explore a new world” (Jacques Cousteau in “The Odyssey”).

I grew up watching Jacques-Yves Cousteau’s TV documentaries, amazed at all the underwater world, unusual sea animals and Cousteau’s adventures. Now, there is a French-language biopic starring Lambert Wilson as Jacques-Yves Cousteau, Pierre Niney as his son Philippe and Audrey Tautou as Cousteau’s wife Simone. The film explores Cousteau’s life from the late 1940s until about the 1970s, showing his journey from an underwater enthusiast to a TV celebrity, not forgetting his private life. A passionate explorer, Jacques Cousteau was indeed a pioneer in marine research and exploration, practically inventing underwater breathing equipment, and very slowly in his career moving from unethical handling of the marine world to promoting the protection of environment. Ironically, the biopic provides little insight into the personality of Jacques Cousteau, and in terms of drama, the film is stale. However, thanks to the beautiful score composed by Alexandre Desplat (The Painted Veil” (2006)) and Matias Boucard’s rich cinematography, there are other things here to contemplate, for those interested.

Read more of this post

“Miss Hokusai” Review

MISS_HOKUSAI_teaser_A4_oldpaper_1600

Miss Hokusai (2015) 

Based on a manga series by Hinako Sugiura, “Miss Hokusai” is a Japanese animation about the daughter of the famous Japanese painter Hokusai, Katsushika Ōi. A great artist herself, Ōi helped her father in painting, while leading a peculiar lifestyle of her own due to her work demands and her father’s eccentricities. The beautifully-drawn animation highlights some of the most memorable instances from Katsushika Ōi’s life. It becomes impressive in a way it manages to show both Ōi’s life in Edo (now Tokyo) in the 1810s, including her hopes and traumas (as told through a manga series), as well as inspiration behind Hokusai’s major artistic accomplishments, all the while remaining strangely poetic and touching.

Read more of this post

Corto Maltese: The Ballad of the Salt Sea (2002)

MV5BNDM0YzFiMzItZDMxOC00YjIyLThiNTktZWU1MGYwMmRhNWY3XkEyXkFqcGdeQXVyNjU3ODUxMTc@._V1_UY1200_CR125,0,630,1200_AL_The Ballad of the Salt Sea (2002)  

He’s dreaming with his eyes open, and those that dream with their eyes open are dangerous, for they do not know when their dreams come to an end” (Hugo Pratt, taking inspiration from the famous quote by T.E. Lawrence).

“When I want to relax, I read an essay by Engels. When I want something more serious to read, I read Corto Maltese” (Umberto Eco).

La Ballade de la mer salée” or “The Ballad of the Salt Sea” (2002) is a French-language TV animation based on the Italian comics of the adventures of Corto Maltese by Hugo Pratt. Corto Maltese is a mysterious and freedom-loving adventurer and sailor who travels the world in search of excitement and fortune, and is found in the early twentieth century in such places as Southern Europe, Arabia, Africa and Russia. In “The Ballad of the Salt Sea”, Corto is found sailing in the Pacific Ocean, and is in the midst of a shady deal with Rasputin, a psychopathic pirate and a Siberian army escapee, and with a man simply called the Monk, while the World War I is about to officially begin and the ocean is full of military ships.

Read more of this post

“The Beguiled” Review

The Beguiled (2017)timthumb

**SPOILER ALERT**

Sofia Coppola’s “The Beguiled” has probably been one of the most anticipated movies of this summer, and is based on the novel by Thomas P. Cullinan, initially titled “A Painted Devil”. In “The Beguiled” (2017), Miss Martha (Nicole Kidman) runs an all-girl boarding school in Virginia amidst the waging of the American Civil War, and among the remaining six of her pupils are highly-strung Edwina (Kirsten Dunst) and a boy-crazy girl Alicia (Elle Fanning). All is well, until one of the girls, Amy (Oona Laurence), discovers a wounded Yankee soldier (Colin Farrell) in the periphery of their school, and decides to bring him to school so that he can receive an immediate medical help. As the soldier recovers, however, he stars to pay special attention to the girls in the school, sparking fits of uncontrollable passion, and, ultimately, suspicion and jealousy. Although the film is beautifully shot, it is also a misguided attempt to produce something evocative and deep. Sofia’s “The Beguiled” has virtually no character development; the plot, which misses the dramatic point of Cullinan’s book completely; and the film’s choice of the cast is almost as bad as its adapted script.

Read more of this post

“Wakefield” Review

172431_aaWakefield (2016)

Based on a short story by E.L. Doctorow (which, in turn, is a re-telling of the story by Nathaniel Hawthorne) and shot over just twenty days, “Wakefield” is a film about Howard Wakefield (Bryan Cranston (“Drive (2011), “The Infiltrator” (2016)), a busy city lawyer, who is silently enduring a personal crisis. On a daily basis, he is commuting to and from NYC to meet his clients, until one evening, his schedule is disrupted by a power outage. At this point, Howard begins to reflect on himself, on his place in life, and on his surroundings. Confronting personal issues usually takes time, and he wastes no time hiding from his family in the attic of his garage next door. This location is a perfect place for a hide-out since it provides him with a perfect position for the close surveillance and monitoring of his own house. Directed by a female director Robin Swicord (the screenwriter behind such great films as “Little Women” (1994) and “Memoirs of Geisha” (2005)), “Wakefield” is deeper and more interesting than first meets the eye. Combining an in-depth psychological character study with an interesting narrative structure, the film manages to deliver both a satisfying and a peculiar cinematic experience, largely driven by Bryan Cranston and Jennifer Garner’s committed performances.

Read more of this post

Flick and Mix

Movies, games & more

Paula's Cinema Club

Classic and new film, movies, cinema with a twist

Paperback Cinema

Never judge a book by its movie.

WritingSuzanne

Film. Television. Books. Beauty. Words.

Movie and Television Blog (2013-

This WordPress.com site is the cat’s pajamas

BEGUILING HOLLYWOOD

If you want a little historical perspective you're home.