“Three Billboards Outside Ebbing, Missouri” Trailer

I am fully expecting some multiple “best performance” nominations by the Academy here, and even some wins, because the performances here seem really terrific. In fact, they are the best I have seen so far this year.

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Spielberg (2017): New Trailer For Documentary About Steven Spielberg

Featuring Leonardo DiCaprio, Cate Blanchett, Martin Scorsese, Christian Bale and Tom Hanks – to name just a few; Spielberg is a new Susan Lacy directed documentary about the highly respected director Steven Spielberg’s career… I’ll watch to learn more about Spielberg, of course. I really also just want to listen to a bunch of my favourite […]

via SPIELBERG (2017): New Trailer For Documentary About Steven Spielberg, Featuring Leonardo Dicaprio, Cate Blanchett… — The Movie My Life

The Duo Double Feature Blogathon: Julia Roberts and Richard Gere

filmz.ru_f_135767Phyllis Loves Classic Movies and The Flapper Dame are hosting the Duo Double Feature blogathon, and this is my contribution to this amazing and fun cinematic race. The blogathon showcases pairs of stars who made only two films together, and my choice is Julia Roberts and Richard Gere, who were in both “Pretty Woman” (1990) and “Runaway Bride” (1999). The onscreen couple consisting of Julia Roberts and Richard Gere may not be the most “homogeneous” of couples ever (for example, because the individual differences still show), but, in this case, it is the case of opposites attracting. The result is the onscreen chemistry which is palpable and undeniable, and which seems very “genuine” and moving, with its quirky and fun moments. This means that while Roberts and Gere’s iconic pairing in “Pretty Woman” might have been quite unforgettable, their chemistry in “Runaway Bride“, nine years after their first film, was still as solid. 

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“Mother!” Review

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Mother! (2017)

<<<I took care not to reveal any specific spoilers, but some discretion when reading is still advised>>>

Darren Aronofsky’s “Mother!”….I am happy to report that there is no need for some mass panic. “Mother!”  may start slow, but it proves to be a very enjoyable “descent” into sheer madness overall. The initial story here is Him (Javier Bardem) and Her (Jennifer Lawrence) settling into a married life in a country mansion, until one couple (Ed Harris and Michelle Pfeiffer) become their pestering lodgers against the wishes of Her. Ironically, the main flaw of Aronofsky’s psychological horror film “Mother!” is that it is not his first film. If it were, it would have been a masterpiece of achievement. Instead, “Mother!” is just the “recycling” of the elements/tricks present in Aronofsky’s previous films. How does this affect this film, one may ask? Well, Aronofsky’s “recycling” of his ideas reduces the overall effect, impact and unpredictability of “Mother!” by as much as 80%. “Mother!” formula is quite simple to understand. The film is structurally and archetypically “Black Swan” (2010) + touches of some “over-the-top” home invasion and “Rosemary’s Baby” (1968). This is all to it. And, where it is not all, it also incorporates, quite evidently, Aronofsky’s artful orange-colour bursting creativity and philosophy we have all previously seen in “The Fountain” (2006) and biblical/allegorical references. The saddest thing here is that the film is quite entertaining and even brilliant in parts, and the premise would have been completely unforgettable had Aronofsky been more original in his work.

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“The Breadwinner” Teaser Trailer

The Breadwinner” promises to be a great, inspirational animated film. In my opinion, it looks like an interesting cross between “Mulan” (1998) and “Persepolis” (2007). It will be screened at the forthcoming BFI London Film Festival, taking place between 4 and 15 October 2017.

“Una” Mini-Review

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Una (2017) 

There are some films which touch very sensitive topics, and most of the time it may be advisable to avoid such films. But, there comes a film which deals with a hard-to-digest-topic so unassumingly, the viewers will hardly notice that what they are seeing is something quite shocking. “Una” is one of these films, telling the story of Una, now a grown-up woman who recalls her past sexual relationship with a much older man when she was just thirteen. Directed by Benedict Andrews and starring Rooney Mara and Ben Mendelsohn in the lead roles, this film, which is based on a theatrical play “Blackbird“, is an interesting account of a twisted relationship and “damaged” personalities. Beyond its uncomfortable subject matter, the film also offers a well-thought-out, even if “minimalist” plot, interesting cinematography and mesmerising performances.  

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“The Discovery” Review

The Discovery Poster

The Discovery (2017)

The Discovery” is a film which had its first premiere at the Sundance Film Festival 2017, but, arguably, it deserves more attention than it eventually got. Here, Will (Jason Segel) and Isla (Rooney Mara) meet in the strangest of times. It has been scientifically proven that the afterlife does exist, and this fact alone spiralled millions of suicides around the world, with people almost desperate to “get to the other side”. The scientist Thomas Harbor (Robert Redford) is behind the new discovery, and he has another trick up his sleeve: he thinks he can also show what the afterlife looks like before people take their lives. After all, who would not want to look at a holiday brochure before committing to their holiday destination? Although the film’s narrative slops and the chemistry between Segel and Mara is lukewarm, the film is atmospheric, raises some fascinating issues, and has a strong ending.

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