“The Founder” Review

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The Founder (2016)

“It’s not just the system, Dick. It’s the name. That glorious name, McDonald’s. It could be anything you want it to be…it’s limitless, it’s wide open…it sounds like…America” (Ray Kroc).

The title sounds like something on the topic of religion, doesn’t? Well, apparently not in the times we live in. The McDonald brothers’ success was to the 1950s what the social network’s success was to the 2000s. The story of McDonald’s, one of the most recognised food chains in the world, is sure to fascinate and intrigue. Not only “The Founder” is based on a true story, but it has a stellar performance by Michael Keaton (“Batman Returns” (1992), “Birdman” (2014)) in the role of Ray Kroc, who takes the McDonald brothers’ concept of a fast restaurant service and turns it into a global fast food empire. The year is 1954, and Kroc, a milk-shake mixer salesman, meets Richard and Maurice McDonald, two brothers who run a food joint focusing on three specific menu items and on the rapidity of their service. Kroc has never seen anything like this before, and proposes to the brothers a deal.

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“The Shape of Water” Trailer

“Match Point” Review

matchpointMatch Point (2005)

As some of my readers will know, especially those based in the UK, last Sunday was the men’s final of the Wimbledon Championships 2017, the oldest and, certainly, most prestigious tennis tournament in the world. This got me thinking about films which reference tennis, and I decided to review Woody Allen’s “Match Point“. In this film, Chris Wilton (Jonathan Rhys-Meyers), an ex tennis pro, comes from humble background, but slowly makes his way to the society’s upper class by dating and then marrying the sister of one of his students at a posh tennis club in London. However, this is all far from being a plain-sailing feat for Chris, because along the way he gets entangled with a seeming femme fatale and a starting actress Nola Rice (Scarlett Johansson), who may as well bring his undoing. If I did not know that this was Woody Allen’s film, I would never have guessed. This film not only plays like a dull TV soap opera for most of its time, it is also filled with pretensions and clichés regarding the lives of upper classes in London; has a list of totally unlikable characters; and is devoid of humour. 

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The Swashathon (the Swashbuckler Blogathon): The Man in the Iron Mask (1998)

swashathon-2-princess-brideMovies Silently is hosting the Swashathon or the Swashbuckler Blogathon, and I could not pass this opportunity by to review Randall Wallace’s “The Man In the Iron Mask” (1998). As many of you would know, today is also Bastille Day or la Fête nationale in France, which provides for another excuse to delve into a film portraying France. Here, despite many critics’ allegations that “The Man In the Iron Mask” is laughable, flimsy and disrespects the novel by Alexandre Dumas it is based on, the film is actually an enjoyable ride from start to finish. If the audience does not take this film too seriously, and allow themselves to be carried away by the plot, action and the humour, they are in for a treat. The visuals are delightful, the music composed by Nick Glennie-Smith is great, and the film has a cast many directors would “die for”: Leonardo DiCaprio (Revolutionary Road” (2008)), John Malkovich (“The Portrait of a Lady” (1996)), Jeremy Irons (“The Correspondence” (2016)), Gabriel Byrne (“I, Anna” (2012)) and Gerard Depardieu. 

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Film Review: A Ghost Story (2017) — Film Blerg

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A Ghost Story” (2017) reunites director David Lowery with Rooney Mara and Casey Affleck. I gave a very high score to the director’s previous film “Ain’t Them Bodies Saints” (2013), involving these actors, because it won me over with its embedded poeticism and creativity alone; see my review of “Ain’t Them Bodies Saints here, and/or read a fair take on “A Ghost Story” by Film Blerg below: 

Films about ghosts are usually scary, jumpy and spine-tingling. David Lowery’s latest feature, A Ghost Story, carefully avoids boxing itself within the horror genre by proving itself an elusive poem on topics as various as life and death, time and perception, and the purpose of human and universal existence. Without doubt, it is one of…

via Film Review: A Ghost Story (2017) — Film Blerg

Previews: “The Current War”, “The Mountain Between Us” and “Flatliners”

The Current War PosterThe Current War (2017)

Story: The late 1880s. Thomas Edison (Benedict Cumberbatch) and George Westinghouse (Michael Shannon) compete for the power to supply sustainable electricity system to the masses. While Edison is the main inventor behind the system, promoting the direct current model, his rival Westinghouse had his own ideas about the system, vouching for the alternating current model, even though it was deemed dangerous at that time.

Director: Alfonso Gomez-Rejon

Leads:  Benedict Cumberbatch and Michael Shannon

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“Get Out” Review

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Get Out (2017)

Get Out” is one of the best-reviewed films of this year. It is a debut film of director Jordan Peele, and has a dedicated, up-and-coming cast to match the film’s ambition. In this film, which is part psychological horror and part societal critique, Chris and Rose (Daniel Kaluuya and Allison Williams), an interracial couple, go to visit Rose’s parents upstate. It would be the first time that Chris meets Rose’s parents and he is visibly nervous. Soon upon arriving, Chris is overcome by the atmosphere of unease all around, questioning whether he is really that welcomed in the neighbourhood. Despite elements of brilliance in setting the atmosphere, unfortunately, the film strays half-way through from its initially brilliantly-presented social horror into some mediocre overt-hostility premise, and ultimately leads to a predictable and unimaginative ending.

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