March 30, 2013 12 Comments
‘Insidious’, directed by James Wan, the director of ‘Saw’ (2004) and ‘Dead Silence’ (2007), is one of those few psychological horror films, which are genuinely scary without sliding into the complete ridiculous or downright dullness, and which also provides for a very good entertainment in terms of fascinating subject matter, gripping plot, good acting and great sound effects.
In ‘Insidious’ the plot centres on the Lambert family, who recently moved into their new house. After Dalton Lambert (Ty Simpkins), a small boy, has a falling accident in the attic, and mysteriously slips into a coma, strange things start to happen in the Lambert family’s new house. When Dalton’s mother, Renai and father, Josh (Rose Byrne and Patrick Wilson) start to investigate the causes and nature of strange apparitions and noises, they soon discover that their child’s endless sleep has more to do with the house’s haunting state than they have ever dared to guess.
The movie can be seen as divided into two parts, and the first part is, arguably, more impressive and way more realistic than the second. In the first part, we see the Lambert family’s tragic realisation of their son’s condition and their house’s haunted nature. Here, the audience is absorbed into Lamberts’ daily-activities, and it is genuinely scary to watch the arising “paranormal” threat posed to the family. This effect is achieved by maintaining the atmosphere of pure suspense and fright, and the film succeeds in instilling a sense of apprehension and fear, and building tension to the limit. Music (Joseph Bishara’s scary score) and camera-work add to this “creepiness” effect, and one is reminded of Bryan Bertino’s ‘The Strangers’ (2008), which uses the same technique successfully. Camera rotates and circles the house and Dalton’s room, closes up, moves away, contributing greatly to the effect of unknown and terrifying lurking beneath the home’s welcoming façade.
The acting here, which is quite good, adds to the film’s merit. Rose Byrne as Dalton’s mother is very good in showing confusion, distress and terror as the full consequences of Dalton’s accident slowly sink in, and Patrick Wilson, as Dalton’s father, comes off almost as ‘”eerie” as the surrounding circumstances, as his own related past comes back to haunt him. The surprising, but very much welcomed, cast here is Barbara Hershey who plays Lorraine Lambert; she is the first to warn the family of potential dangers hidden in Dalton’s room.
The second part of the film is more problematic and is, undoubtedly, the weakest link. Half-way through the film, the couple, greatly saddened by strange occurrences in their houses, invites spiritual investigators and a friend of Lorraine, expert in the paranormal field, Elise Rainier (Lin Shaye). Unfortunately, it is at this point that the film changes its tone (including the colour) and turns quite humorous, with the two funny ghostbusters joking about, and the whole affair turning suddenly quite comical. While for some viewers this provides a nice break and a chance to illicit a few good laughs, this turn is also very disappointing, because it completely ruins the intense, serious, suspenseful, quite scary set-up, which the film was trying so hard to achieve in the beginning. At this point, strangely enough too, all the paranormal, ghostly appearances stop as the investigation is under way. And, if that was not enough, as the film progresses, it gets even worse. We see lazy, cartoonish, cliché representations of the “other” world – “the Further”, which is, if not completely laughable, remains no way near scary. On the positive side, Lin Shaye, Elise Rainier, an expert in the field of paranormal, is quite a character here and shows great acting skill in portraying an eccentric medium.
Contrary to what many people say, the ending is actually refreshing, unpredictable (at least to some extent) and rather scary. It feels complete: not in the sense that there will never be any sequels, because there is already one – ‘Insidious, Chapter Two’ (2013), but because the ending feels satisfying in a thought-provoking way. One only hopes that the sequel will live up to ‘Insidious’ quality and incorporate techniques which we have already seen working.
We see so few quality horror films nowadays that alongside Guillermo del Toro’s ‘Mama’ (2013), ‘Insidious’ is one of only a few recent films out there to prove that horror films do not necessarily have to be viewed as a low-quality entertainment, and can actually do what it says on the tin – scare. Overall, even though the movie may not be as original as we like it to be, and ignoring some big misses in the movie’s second part, it is safe to say that ‘Insidious’ is still an effective horror movie, which is unlikely to disappoint, and will be particularly interesting for those who are into ghost stories and paranormal activities. 7/10
The possibility of astral projection (out-of-body-experience, where the spiritual body leaves the physical one to travel to other places while person is asleep) features heavily in the film, and this is where ‘Insidious’ stands out from all other “haunted-house” horror movies. The representation of astral projection here is also relatively accurate. The film clearly shows what happens when the astral body leaves the physical one, and the psychological effect it may have on the person. Apart from that, ‘Insidious’ uses a wide variety of material – from South African ancient legends, describing out of body experience, to modern-day statements of astral travellers. For example, demon-like beings hauntings the “other side”, the dream-world is the event which is reported most frequently by astral projection travellers, and the movie wastes not time incorporating this. The legend of Old Hag, now translated into an Old Hag syndrome, is the one on which James Wan relies most heavily. Sufferers of this syndrome wake up to find that they cannot move, even though they can see, hear, feel and smell. Most report a great weight put on their chests, and a sense that there is someone sinister and evil present in the room with them. The ancient belief says that this is Old Hag “riding” the sleeper’s back.