“Last Night” Review

Last Night (2010)

Directed by Iranian-American director, Massy Tadjedin, ‘Last Night’ is a romantic drama revolving around a posh married couple, Joanna and Michael Reed (Kiera Knightley and Sam Worthington), who live in New York. After years of marriage, Joanna and Michael start to experience tensions, doubts and stings of jealousy. Over the course of two particular days these tensions build up at which point Joanna attends Michael’s work party and finds out about Michael’s interest in his attractive work colleague Laura (Eva Mendes). However, the following day, when Michael goes on a business trip with Laura, Joanna meets her old flame, Alex (Guillaume Canet), and jumps on a date with him. As the Reeds start to succumb to their ever-increasing love temptations, the question becomes: who will cross the line?

The film, which takes place over the course of two days, explores the well-familiar themes of marital fidelity, trust and forbidden affairs. What makes ‘Last Night’ stand out from the crowd, however, is the way the film portrays the well-rehearsed melodramatic themes. The film is emotionally charged and accentuates well the characters’ feelings and thoughts as they shift between reason, emotion and their natural inclinations. Although none of the characters in this film are presented well enough for the audience to truly care about their fates, the audience, nevertheless, feels and fully participates in the couple’s dilemma. On a psychological level, ‘Last Night’ is clever. Throughout the film, there are characters, for example Laura or Truman (a friend of Alex), who question Joanna and Michael’s feelings and motivations behind their actions, making the film almost like a psychological study.

The chemistry between Knightley and Canet is great on screen – they look very good together, and are an absolute pleasure to watch. On the other hand, Worthington and Knightley’s screen chemistry leaves much to be desired, to the point of arousing a sense of mystery as to how they even managed to become a husband and wife in the film in the first place. It goes without saying that, had the chemistry between Worthington and Knightley been stronger, the film’s narrative and ending would have been more compelling, and, certainly, more dramatic. The fact that the characters in the film are not well “crafted” and defined, being like “lose cannons” at times, adds to the lack of excitement or intrigue, and the difficulty of following the film.

Although some critics pointed out the complex moral dilemma of the film (what is worse – Michael or Joanna’s actions?), there is really hardly any. The problem lies with the sense that it is well too easy to sympathise with the all-platonic, totally innocent and purely emotional attachment of Joanna to Alex, and criticise Michael as “the cheating husband”. It is clear that even though Joanna cheats “with her heart”, she still loves Michael dearly and is very loyal to him, while Michael is clearly too infatuated with Laura to truly care about Joanna and her feelings. Thus, it is evident that there is no competition of “who is the bad one here?” in this movie. This predictability of the unfolding situation is the downside. The other problem of ‘Last Night’ is its dialogue. Although there is an apparent effort to make the dialogue as “authentic” as possible, it is muffled or hardly audible at all.

Sam Worthington’s acting and screen presence deserves a special mention. He does not only give a very “wooden”, “half-sleepy” performance, his screen presence truly irritates, especially given the lively, vivid and and powerful performances of his co-stars. Watching Worthington perform, it becomes increasing desirable to see anyone but Worthington in the role of Michael, who will undoubtedly bring more depth and suspense into the film, and give the character of Michael so much needed emotional and mental “depth”.

Despite all these criticisms, as a director’s debut, the film fares very well. The film script is very interesting, and, as one film critic pointed out, appears to be a cross between ‘Unfaithful’ (2002) and ‘Closer’ (2004). Although when comparing this film to ‘Closer’, ‘Last Night’ seems undeveloped and too predictable, it, nevertheless, wins in places where ‘Closer’ does not even venture, for example, in portraying accurately the lingering moments of extreme intimacy. The ending in ‘Last Night’ is very thought-provoking and touching. Acting is also excellent by the three main leads: Knightley, Mendes and Canet, with Worthington being the weakest link. The soundtrack is also beautiful and fits the film well.

Overall, despite many faults, ‘Last Night’ is certainly a touching, sincere and thought-provoking movie, and sometimes that is all that is needed for a good night’s entertainment. 6/10

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