20 Fascinating Films about Visual Art

Andrei Rublev Poster1. Andrei Rublev (1966) 

It will be a crime not to begin this list with Andrei Tarkovsky’s masterpiece “Andrei Rublev“. A paragraph will not be sufficient to do justice to this largely black-and-white film which lasts around three hours, and, in some way, it is a difficult watch. Andrei Rublev was a 15th century icon painter living in medieval Russia, and the film follows his journey as he leaves Andronikov Monastery with two other monks, travelling to Moscow. What follows is the depiction of medieval Russian rituals, Tatars’ invasion, Andrei’s attempts to protect a simple-minded girl, among others events. Some stunning iconography by Rublev is also on display, including “The Holy Trinity” and “Christ, the Redeemer“, at the end. “Andrei Rublev” is a complex work of art which masterfully conveys the messages on morality, religion and artistic freedom. On such a film, one can simply say that it is not merely a movie but one of a kind cinematic experience. 

Seraphine Poster 2. Seraphine (2008)

This film, which is based on a true story of Seraphine Louis and which won 7 Cesar Awards, is an exquisite and quietly powerful portrayal of an awakening painter. Seraphine (Yolande Moreau) is a naively eccentric, deeply religious woman devoid of social graces and who works as a cleaner in a house in Senlis, France. When a new tenant from Germany, Mr. Uhde, an art expert, arrives to stay at the house he is impressed by Seraphine’s natures mortes. A convincing performance by the leading actress makes this film poignant and heart-felt, even if it is overlong. This interesting story is proof that an artistic genius can be found even in most unexpected of places.  Read more of this post

Advertisements

“Thoroughbreds” Review

Thoroughbreds PosterThoroughbreds (2017) 

What happens when a street-smart, completely unemotional teen girl rekindles her childhood friendship with a doubtful, book-smart girl who can feel emotions, but who wants to get rid of one pressing problem in her life? This situation lies at the core of “Thoroughbreds”. Extremely talented rising stars Olivia Cooke (“The Limehouse Golem” (2017)) and Anya Taylor-Joy (“Split” (2016) and “The Witch” (2015)) star as Amanda and Lily respectively, two girls from a wealthy suburban neighbourhood in Connecticut who have the so-called “meeting of the minds” and join their forces to put aside their problems for good. Lily has a problem with her stepfather, while Amanda is curious how far she can go on her unemotional spectrum and commit acts she would otherwise not even consider. When the duo meets criminally-minded Tim (Anton Yelchin (Green Room” (2015)) their sinister intentions take a step closer to reality.  

Read more of this post

Luca Guadagnino’s “Suspiria” and Steve McQueen’s “Widows” Trailers

Luca Guadagnino (“Call Me By Your Name” (2017) and “I Am Love” (2009)) is rebooting Dario Argento’s cult classic of the same name, and from the many plot similarities, it can be described as a remake (despite what actors may say). There seem to be both similarities and differences in the presentation: the music hints at the original, but some visuals are innovative. My favourite element here will be Tilda Swinton as Madame Blanc, a clever cast. It will also be interesting to see her character’s antagonistic tension and relationship with the character of Dakota Johnson. My concern is that I hope the film will remain dark and provocative with nice scary jumps, and not become too ridiculous. I am also disappointed with the cast of Johnson. She seems to be good here, but my belief is that someone younger with more remarkable features should have been cast in the lead role. Since it is Luca Guadagnino, a stylish and thought-provoking presentation is guaranteed. The original material is also intriguing, so it promises to be a good film.   Read more of this post

Mirrors in Films: Duality, Secrets and Revelations, and the Passage to the Otherworld

Snow White MirrorI love mirrors. They let one pass through the surface of things.” (Claude Chabrol, French film director)

This will be my 300th post, and, as now customary, I am writing on objects in films and their (symbolic) meanings. For my other similar article, check out Gloves in Films: Hiding True Character and Desires, when I “celebrated” my 200th blog post. Mirrors can play many roles in films. (Narcissistic) film characters can utilise them to satisfy their vanity (“Gone with the Wind” (1939)); to ego-boost (“Taxi Driver” (1976) or “La Haine” (1995)); for self-examination or to marvel at their transformation (“The Aviator” (2004) or “Vanilla Sky” (2001)); Gone with the Windor films use them for dramatic showdowns (“The Lady from Shanghai” (1947)), among many other roles and meanings. However, in this piece, I would like to focus on three interpretations in particular: (i) the usage of mirrors as they demonstrate the character’s dual nature (often revealing the character’s evil/bad nature when that character otherwise appears good); (ii) mirrors used to emphasise secrecy or to reveal secrets; and (iii) the use of mirrors as certain clandestine passages to the Otherworld.    Read more of this post

Q: Movies That Are Too Good for Words or Defy Analysis?

Recently, I have been thinking about the task of writing reviews in general. Most film critics will say that they are objective in their film analysis, but that also made me think about those films which a reviewer may find difficult to review objectively. The reasons may be some emotional attachment to a movie (which may stem from childhood), the fact that a reviewer has seen a particular film too many times (developing a biased liking towards it), or maybe one thinks that a particular film is somehow too brilliant for words and any extra words to describe or analyse it will be futile. For example, one may just want to write one word: “brilliant” or “masterpiece” and then put a full stop. It will be interesting to hear or discuss some examples.   

Read more of this post

“My Evil Twin” Film List

Doppelgängers have been baffling people for centuries. Identical twins, in particular, have always held a certain fascination on the public with some saying that they possess sinister abilities or are mystically bonded. However, it is the notion of “an evil twin” which probably holds the most fascination because it involves the timeless tale of the good vs. evil battle – i.e, the situation whereby twins look absolutely identical to each other, but one twin is good, whereas another harbours evil intentions. Below are 10 great films (in no particular order) that display and explore just this interesting situation, attempting to awe their audience.

The Dark Mirror PosterI. The Dark Mirror (1946)

Starring Olivia de Havilland and Lew Ayres, this entertaining film starts with the investigation of a murder and eyewitnesses all point to one suspect, but the detective soon realises their eyewitness accounts are useless because he deals with twin sisters and finding out which one is culpable looks like an impossible task. This is definitely a movie which demarcates clearly an evil and a good twin, and it also deals with the topic from a scientific point of view because some study is conducted on twins in the story.

dead ringers posterII. Dead Ringers (1988) 

Loosely based on a real life story, this film, directed by David Cronenberg, is a fascinating account of two brothers gynaecologists Elliot and Beverly Mantle (Jeremy Irons in a dual role) whose bond goes far beyond an ordinary friendship or sibling companionship, complicating their personal relationships and career aspirations. Clearly, it is Elliot who is more uncaring and ruthless of the two, with Beverly being more emotional.

Read more of this post

“Unsane” Review

Unsane Poster

Unsane (2018) 

This psychological thriller by Steven Soderbergh (“Side Effects” (2013)) has the distinction of being the first theatrical feature film shot almost entirely on iPhone cameras, and the result is impressive. Claire Foy (“Breathe” (2017)) plays Sawyer Valentini, a career-driven young woman who has just started a new job in a new city. We are invited to question her sense of reality when she becomes obsessed with the apparent stalking behaviour which is going on around her with her being the primary victim. When Sawyer is invited to spend a few days in a mental institution to rest and gather her wits, her apparent paranoia and delusions intensify. Soderbergh employs iPhone cameras very cleverly to both critique the provision of mental health help and to show Sawyer’s mounting psychological problems.

Read more of this post

My Movie Consultant

Movie Suggestions, Anime and more...

celinelingg

Book Blog

#moe404, the anime BLOG —

weirdo manner to talk about anime.

The Surrealist Junky

a blog of mostly art and poetry where the unconscious reigns

Art Gowns

The Art of Glamorous Fantasy

Chef Kevin Ashton

Recipes, advice, reviews, travelogues & news

Weekend Otaku

Simply one Hell of a Blog