“The Nightingale” Trailer

The Nightingale is the latest film from Jennifer Kent, director of The Babadook (2014). In this film, the location is Tasmania and the year is 1825. A young Irish convict woman seeks revenge for a terrible act of violence once inflicted upon her family. The story sounds interesting and the film seems to gorgeously recreate the past setting. In “brutality” on display, The Nightingale reminds me of a very-hard-to-watch film Brimstone (2017) with Guy Pearce and Dakota Fanning, meaning that this film will also not be for everyone.

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“Midsommar” Trailer

From Ari Aster, director of impressively disturbing Hereditary (2018), here is the trailer to the new horror movie Midsommar. The plot is about a group of friends who travel to a small village in Sweden for a festival that only occurs once every ninety years. The film stars Florence Pugh, who impressed in Lady Macbeth (2017), as well as Will Poulter (The Little Stranger (2018)), Jack Reynor and William Jackson Harper. For my list of great films about cults, see here.

“Museo” Mini-Review

Museo Film

Museo (Museum) (2018) 

This heist movie is by Mexican director Alonso Ruizpalacios (Güeros (2014)), starring Gael Garcia Bernal (No (2012), The Motorcycle Diaries (2004)) and Leonardo Ortizgris (Güeros). Loosely based on a real story, the film won the Silver Bear for Best Screenplay at the Berlin International Film Festival 2018, and is about two young men in their thirties who still live with their families, while trying to become veterinarians. They decide to break their cycle of personal desperation by robbing the National Museum of Anthropology in Mexico City. What follows is their journey trying to convert their stolen Mayan artefacts into money, while battling personal doubts, since they did not initially realise what their theft might mean culturally and societally for the people of Mexico. Museo is a well-made film with an interesting premise and an unusual dimension to it, but it is also fair to say that it often slides into some obvious melodrama, losing its force and conviction. Read more of this post

“Happy as Lazzaro” Review

Happy as Lazzaro Poster

Happy as Lazzaro (Lazzaro Felice) (2018)

Alice Rohrwacher may only have three major feature films under her belt (Corpo Celeste (2011), The Wonders (2014) and Happy as Lazzaro (2018)), but this Fiesole-born director proves to be the one to be reckoned with. Happy as Lazzaro is an unusual, surreal and imaginative drama which stretches the limits of belief, and makes one ponder and wonder about the significance of leading an unselfish, innocent and open life in the modern age which, in turn, is geared primarily towards ruthless money-making and twisted concepts of success. Philosophical, enigmatic and moving, Happy as Lazzaro may start as this great drama about one family’s dominion over poor working people in Italy, but, by the end, it proves to be so much more than just a tale about the swindling and corruption of the innocent. From the hardship of a simple village life in Italy to the exploration of the metaphysical, Happy as Lazzaro covers much ground and is an ambitious, multifaceted film that, amazingly, succeeds on all fronts.  Read more of this post

“Toy Story” vs. “The Christmas Toy” (1986)

Toy Story PosterThe Christmas Toy Poster

Since the new trailer for Pixar’s Toy Story 4 is already released, it is perhaps time to talk again about the trilogy and its dubious origin and inventiveness. Since the release of the first Toy Story animation in 1995, there have been comparisons made between it and The Jim Henson Company’s television puppet film for children of 1986 – The Christmas Toy. I will again revisit and comment on this comparison, taking into account the ideas presented in the new Toy Story 4 trailer. The point is that Toy Story is The Christmas Toy in a nutshell – creators of Toy Story surely must have thought about The Christmas Toy when they were creating Toy Story.  Read more of this post

“Housing” Films: “99 Homes” & “House of Sand and Fog”

99 Homes Poster99 Homes (2014)

This film is set in the background of the 2008 housing crisis in the US when many Americans lost their homes. Andrew Garfield (Silence (2016)) is Dennis Nash, a single father, who loses his home to the bank and has a chance to get it back if he starts working for a real estate broker (Michael Shannon (The Shape of Water (2017)) who is “responsible” for his misfortune. Directed by Ramin Bahrani, who dedicated the movie to film critic Roger Ebert, the film is a great “housing” drama elevated by the performance from Michael Shannon. 99 Homes explores interesting moral dilemmas and issues, and is so powerful that could rightly be claimed as one of the best films of the year 2014.

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Documentary: “The Imposter”

The Imposter PosterThe Imposter (2012)

This story would have been nice fiction if it were also not so very true. This awards-winning documentary details the real story of Frederic Bourdin, a French confidence trickster, who impersonated Nicholas Barclay, a boy from Texas, who, in turn, vanished without a trace when he was thirteen in 1993. This documentary is really akin to some fast-paced and compelling thriller, and one has to remind oneself that the events depicted actually happened. But, how could they have, really? And what may a twenty-three year old French man found in Spain have in common with a thirteen-year old American boy who disappeared from his home in 1993? At first glance – nothing at all, and, at second glance – perhaps the desire to be found and loved. Bart Layton (American Animals (2018)) raises many issues in his documentary, making it personal, compelling and suspenseful. 

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